and, as this also _came home_, of course the poor man was totally wrecked. It turned out that the dictionary he had used (Arnold's, we think,)--a work of a hundred years back, and, from mere ignorance, giving slang translations from Tom Brown, L'Estrange, and other jocular writers--had put down the verb _sterben (to die)_ with the following worshipful series of equivalents--1. To kick the bucket; 2. To cut one's stick; 3. To go to kingdom come; 4. To hop the twig. But, though Coleridge did not pretend to any fluent command of conversational German, he read it with great ease. His knowledge of German literature was, indeed, too much limited by his rare opportunities for commanding anything like a well-mounted library. And particularly it surprised us that Coleridge knew little or nothing of John Paul (Richter). But his acquaintance with the German philosophic masters was extensive. And his valuation of many individual German words or phrases was delicate and sometimes profound. As a Grecian, Coleridge must be estimated with a reference to the state and standard of Greek literature at that time and in this country. Porson had not yet raised our ideal. The earliest laurels of Coleridge were gathered, however, in that field. Yet no man will, at this day, pretend that the Greek of his prize ode is sufferable. Neither did Coleridge ever become an accurate Grecian in later times, when better models of scholarship, and better aids to scholarship, had begun to multiply. But still we must assert this point of superiority for Coleridge, that, whilst he never was what may be called a well-mounted scholar in any department of verbal scholarship, he yet displayed sometimes a brilliancy of conjectural sagacity, and a felicity of philosophic investigation, even in this path, such as better scholars do not often attain, and of a kind which cannot be learned from books. But, as respects his accuracy, again we must recall to the reader the state of Greek literature in England during Coleridge's youth; and, in all equity, as a means of placing Coleridge in the balances, specifically we must recall the state of Greek metrical composition at that period.