Narrative and Miscellaneous PapersDe Quincey, Thomas
General
Narrative and Miscellaneous Papers
De Quincey, Thomas
English essays; English fiction
'For not to think of what I needs must feel,
But to be still and patient all I can;
_And haply by abstruse research to steal
From my own nature all the natural man_--
This was my sole resource, my only plan;
Till that, which suits a part, infects the whole,
And now is almost grown the habit of my soul.'
Considering the exquisite quality of some poems which Coleridge has
composed, nobody can grieve (or _has_ grieved) more than ourselves, at
seeing so beautiful a fountain choked up with weeds. But had Coleridge
been a happier man, it is our fixed belief that we should have had far
less of his philosophy, and perhaps, but not certainly, might have
had more of his general literature. In the estimate of the public,
doubtless, _that_ will seem a bad exchange. Every man to his taste.
Meantime, what we wish to show is, that the loss was not absolute,
but merely relative.
It is urged, however, that, even on his philosophic speculations, opium
operated unfavorably in one respect, by often causing him to leave them
unfinished. This is true. Whenever Coleridge (being highly charged,
or saturated, with opium) had written with distempered vigor upon any
question, there occurred soon after a recoil of intense disgust, not
from his own paper only, but even from the subject. All opium-eaters are
tainted with the infirmity of leaving works unfinished, and suffering
reactions of disgust. But Coleridge taxed himself with that infirmity in
verse before he could at all have commenced opium-eating. Besides, it is
too much assumed by Coleridge and by his biographer, that to leave off
opium was of course to regain juvenile health. But all opium-eaters make
the mistake of supposing every pain or irritation which they suffer to
be the product of opium. Whereas a wise man will say, suppose you _do_
leave off opium, that will not deliver you from the load of years (say
sixty-three) which you carry on your back. Charles Lamb, another man of
true genius, and another head belonging to the Blackwood Gallery, made
that mistake in his _Confessions of a Drunkard_. 'I looked back,' says
he, 'to the time when always, on waking in the morning, I had a song
rising to my lips.' At present, it seems, being a drunkard, he has no
such song. Ay, dear Lamb, but note this, that the drunkard was fifty-six
years old, the songster was twenty-three. Take twenty-three from
fifty-six, and we have some reason to believe that thirty-three will
remain; which period of thirty-three years is a pretty good reason for
not singing in the morning, even if brandy has been out of the question.
Public-domain text, read in full here on John Shaqi.
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