arranging his materials with a pious regard to theatrical effect. This man knows how to group his figures; well he understands where to plant his masses of light and shade; and what impertinence it would be in us spectators, the reader suppose and myself, to go behind the scenes for critical inquiry into daylight realities. All reasonable men see that, the less of such realities our artist had to work with, the more was his merit. I am one of those that detest all insidious attempts to rob men situated as this artist of their fair fame, by going about and whispering that perhaps the thing is true. Far from it! I sympathize with the poor trembling artist, and agree most cordially that the whole story is a lie; and he may rely upon my support at all times to the extent of denying that any vestige of truth probably lay at the foundations of his ingenious apologue. And what I say of the English fable, I am willing to say of the French one. Both, I dare say, were the rankest fictions. But next, what, after all, if they were _not?_ For, in the rear of all discussion upon anecdotes, considered simply as true or _not_ true, comes finally a _valuation_ of those anecdotes in their moral relation, and as to the inferences which they will sustain. The story, for example, of the French minister Louvois, and the adroitness with which he fastened upon great foreign potentates, in the shape of war, that irritability of temper in his royal master which threatened to consume himself; the diplomatic address with which he transmuted suddenly a task so delicate as that of skirmishing daily in a Council Chamber with his own sovereign, into that far jollier mode of disputation where one replies to all objections of the very keenest logician, either with round shot or with grape; here is an anecdote, which (for my own part) I am inclined to view as pure gasconade. But suppose the story true, still it may happen that a better valuation of it may disturb the whole edifice of logical inferences by which it seemed to favor the speculations of the war abolitionists. Let us see. What _was_ the logic through which such a tale as this could lend any countenance to the schemes of these abolitionists? That logic travelled in the following channel. Such a tale, or the English tale of the gloves, being supposed true, it would seem to follow, that war and the purposes of war were phenomena of chance growth, not attached to any instinct so ancient, and apparently so grooved into the dark necessities of our nature, as we had all taken for granted. Usually, we rank war with hunger, with cold, with sorrow, with death, afflictions of our human state that spring up as inevitably without separate culture and in defiance of all hostile culture, as verdure, as weeds, and as flowers that overspread in spring time a fertile soil without needing to be sown or watered--awful is the necessity, as it seems, of all such afflictions. Yet, again, if (as these anecdote simply) war could by