the book of _modern history_, as distinguished from the middle or _feudal_ history,) had the battle of Pavia foreshown to him, not by name, but in its results--by his own Spanish captivity--by the exchange for his own children upon a frontier river of Spain--finally, by his own disgraceful death, through an infamous disease conveyed to him under a deadly circuit of revenge. This king's son, Henry the Second, read some years _before_ the event a description of that tournament, on the marriage of the Scottish Queen with his eldest son, Francis II., which proved fatal to himself, through the awkwardness of the Compte de Montgomery and his own obstinacy. After this, and we believe a little after the brief reign of Francis II., arose Nostradamus, the great prophet of the age. All the children of Henry II. and of Catharine de Medici, one after the other, died in circumstances of suffering and horror, and Nostradamus pursued the whole with ominous allusions. Charles IX., though the authorizer of the Bartholomew massacre, was the least guilty of his party, and the only one who manifested a dreadful remorse. Henry III., the last of the brothers, died, as the reader will remember, by assassination. And all these tragic successions of events are still to be read more or less dimly prefigured in verses of which we will not here discuss the dates. Suffice it, that many authentic historians attest the good faith of the prophets; and finally, with respect to the first of the Bourbon dynasty, Henry IV., who succeeded upon the assassination of his brother-in-law, we have the peremptory assurance of Sully and other Protestants, countersigned by writers both historical and controversial, that not only was he prepared, by many warnings, for his own tragical death--not only was the day, the hour prefixed--not only was an almanac sent to him, in which the bloody summer's day of 1610 was pointed out to his attention in bloody colors; but the mere record of the king's last afternoon shows beyond a doubt the extent and the punctual limitation of his anxieties. In fact, it is to this attitude of listening expectation in the king, and breathless waiting for the blow, that Schiller alludes in that fine speech of Wallenstein to his sister, where he notices the funeral knells that sounded continually in Henry's ears, and, above all, his prophetic instinct, that caught the sound from a far distance of his murderer's motions, and could distinguish, amidst all the tumult of a mighty capital, those stealthy steps ----'Which even then were seeking him Throughout the streets of Paris.' We profess not to admire Henry the Fourth of France, whose secret character we shall, on some other occasion, attempt to expose. But his resignation to the appointments of Heaven, in dismissing his guards, as feeling that against a danger so domestic and so mysterious, all fleshly arms were vain, has always struck us as the most like magnanimity of anything in his very theatrical life.