Narrative and Miscellaneous Papers — Volume 2De Quincey, Thomas
Philosophy
Narrative and Miscellaneous Papers — Volume 2
De Quincey, Thomas
English essays
'For not to think of what I needs must feel,
But to be still and patient all I can;
_And haply by abstruse research to steal
From my own nature all the natural man_--
This was my sole resource, my only plan;
Till that, which suits a part, infects the whole,
And now is almost grown the habit of my soul.'
Considering the exquisite quality of some poems which Coleridge has
composed, nobody can grieve (or _has_ grieved) more than ourselves, at
seeing so beautiful a fountain choked up with weeds. But had Coleridge
been a happier man, it is our fixed belief that we should have had far
less of his philosophy, and perhaps, but not certainly, might have had
more of his general literature. In the estimate of the public,
doubtless, _that_ will seem a bad exchange. Every man to his taste.
Meantime, what we wish to show is, that the loss was not absolute, but
merely relative.
It is urged, however, that, even on his philosophic speculations, opium
operated unfavorably in one respect, by often causing him to leave them
unfinished. This is true. Whenever Coleridge (being highly charged, or
saturated, with opium) had written with distempered vigor upon any
question, there occurred soon after a recoil of intense disgust, not
from his own paper only, but even from the subject. All opium-eaters
are tainted with the infirmity of leaving works unfinished, and
suffering reactions of disgust. But Coleridge taxed himself with that
infirmity in verse before he could at all have commenced opium-eating.
Besides, it is too much assumed by Coleridge and by his biographer,
that to leave off opium was of course to regain juvenile health. But
all opium-eaters make the mistake of supposing every pain or irritation
which they suffer to be the product of opium. Whereas a wise man will
say, suppose you _do_ leave off opium, that will not deliver you
from the load of years (say sixty-three) which you carry on your back.
Charles Lamb, another man of true genius, and another head belonging to
the Blackwood Gallery, made that mistake in his _Confessions of a
Drunkard_. 'I looked back,' says he, 'to the time when always, on
waking in the morning, I had a song rising to my lips.' At present, it
seems, being a drunkard, he has no such song. Ay, dear Lamb, but note
this, that the drunkard was fifty-six years old, the songster was
twenty-three. Take twenty-three from fifty-six, and we have some reason
to believe that thirty-three will remain; which period of thirty-three
years is a pretty good reason for not singing in the morning, even if
brandy has been out of the question.
Public-domain text, read in full here on John Shaqi.
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