Narrative of Travels in Europe, Asia, and Africa, in the Seventeenth Century, Vol. IEvliya Çelebi
History
Narrative of Travels in Europe, Asia, and Africa, in the Seventeenth Century, Vol. I
Evliya Çelebi
Caucasus, South -- Description and travel; Istanbul (Turkey) -- Description and travel; Turkey -- History
The cupola is seventy feet high and is supported by four massive
pillars, and four demi cupolas. It has no large columns within like
those of Ayá Sofíá and the Soleïmánieh. Along three sides of it runs
a gallery (tabaka) for the congregation, supported by small columns,
and over that a second gallery, from which is suspended a treble row
of lamps reaching half way to the first gallery. The mahfil of the
Moazzíns is supported by small pillars like the mahfil of the emperor.
The minber, or pulpit, is of variegated marble and sculptured in the
most tasteful manner. On the top of it is a most magnificent crown, and
over that is suspended a golden banner. The pen fails in attempting
to describe the beauty of the mehráb, on both sides of which are
candlesticks, containing lighted candles each weighing twenty quintals.
On the left side of the mehráb between two windows there is a fine
view of a most extraordinary square rock, which is certainly one of
the wonders of creation. All the windows are ornamented with painted
glass; and behind the two pillars, as in the Soleïmánieh, there are
fountains of ever-flowing water, where the faithful may perform their
ablutions or satisfy their thirst. The mosque has five gates. On the
right-hand corner is the gate of the Khatíb (or reader of the Khotba).
On the left-hand corner, beneath the mehráb of the Sultán, is the gate
of the Imám. Two lofty gates open on both sides of the building. The
ascent to these four gates is by a flight of marble steps. The fifth
and largest gate is that of the Kibla, facing the mehráb. No mosque can
boast of such precious hanging ornaments as those of this, which by the
learned in jewels are valued at one hundred treasuries of Egypt; for
Sultán Ahmed being a prince of the greatest generosity and the finest
taste, used all his jewels, and the presents which he received from
foreign sovereigns, in ornamenting the mosque. The most extraordinary
ornaments are the six emerald candelabra which are suspended in the
emperor’s mehráb, and which were sent as a present by Ja’fer Páshá,
the governor of Abyssinia. The sockets, each of which weighs eight
_okkas_, are suspended by golden chains, and terminate in golden feet
with green enamel. The experienced and learned have estimated the value
of each of these candelabra equal to one year’s tribute of Rúmeïlí. In
short, it is a most wonderful and costly mosque, and to describe it
baffles the eloquence of any tongue. Some hundred copies of the Korán
lying near the mehráb, on gilt desks inlaid with mother-o’-pearl, are
presents from sultáns and vezírs. The library consists of 9,000 volumes
marked with the toghra of the Sultán, the care of which is entrusted
to the Mutavellí (curator) of the mosque. On the outside, facing
the mehráb, is a most delightful garden, where the sweet notes of a
thousand nightingales give life to the dead-hearted, and the fragrant
odour of its flowers and fruits gratifies the senses of the faithful
assembled to prayer.
Public-domain text, read in full here on John Shaqi.
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