Nasby in Exile: or, Six Months of Travel in England, Ireland, Scotland, France, Germany, Switzerland and Belgium, with many things not of travelLocke, David Ross
Philosophy
Nasby in Exile: or, Six Months of Travel in England, Ireland, Scotland, France, Germany, Switzerland and Belgium, with many things not of travel
Locke, David Ross
Europe -- Description and travel
From the streets of Chamonix the sides seem to be as smooth as a frozen
pond, as the sun glistens on the ice and snow; but viewed through the
powerful telescope great crags are seen. Wide chasms, no one knows how
deep, yawn on every side. Blank, inaccessible walls shoot straight up in
the air, hundreds of feet. There are impassible glaciers and great
gullies where, centuries ago, a great landslide occurred. All this can
be seen through the telescope, but not till one attempts the ascent can
he realize the nature of Mt. Blanc's formation. Then he finds his path
beset with dangers he never dreamed of. He sees the glaciers, which by
the glass seemed only rough places, are full of deep crevices hundreds
of feet wide. He hears the rumbling of wild streams of water far down in
the ice, as they swirl and swish round and round in the cavities formed
by the everlasting action of the water against the flinty ice. He comes
upon solid mountains of ice, around or over which it is next to
impossible to go. He finds bridges of ice, where one misstep would
launch him down a crevice, so far that his body could never be
recovered. In short, he finds that Mt. Blanc is only smooth and safe and
pleasant when seen at a distance through a telescope.
CHAPTER XXXV.
GOING UP THE MOUNTAIN.
I cannot see why any one should desire to ascend Mt. Blanc. It is a trip
of great danger, is very fatiguing, and, it is said, even when the
summit is reached the view is unsatisfactory, on account of the great
distance from all objects save the jagged peaks of the big mountain. Yet
there are quite a number of ascents made every year.
[Illustration: THE PRESUMED CHAMOIS HUNTER.]
[Sidenote: ALPINE ASCENTS.]
Why? Because the innocents who do it dearly love to start out, the males
with their knee breeches and horrible spiked shoes, and the females with
their hideous dresses, and after the ascent is either made, or not made,
it is a pleasant thing to be photographed in groups in these costumes.
Thousands of these photographs are taken, for home consumption.
Everybody likes to be photographed in the act of doing what they can't
do. The stupid man who never looks into a book always wants to be taken
with one elbow upon a pile of books, and his fore finger thoughtfully
upon his forehead, as though he were devising a plan for the payment of
the national debt; the young sprout who buys a double-barreled shot-gun,
which is destined never to take animal life, always rushes to be
photographed in complete sporting costume, shot-gun, game-bag, dog and
all; and where was there ever a militia officer who did not want to be
photographed in full uniform, as though he had served with credit
through the great rebellion?
So these Alpine climbers, these Mt. Blanc ascenders, would no more leave
Chamonix without being photographed in costume than they would leave
their letters of credit behind them.
Photography is an unconscious liar. It is as unreliable as history.
Public-domain text, read in full here on John Shaqi.
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