Nat Goodwin's BookGoodwin, Nat. C. (Nathaniel Carll)
General
Nat Goodwin's Book
Goodwin, Nat. C. (Nathaniel Carll)
Actors -- Correspondence
He has blazoned this superficial knowledge to such an extent that he
has grown to believe that he is a most important and necessary adjunct
to his profession. If he were possessed of the knowledge he imagines he
has he would be a genius!
As it is he is a nuisance!
He has succeeded in making many enemies by his aggressive and
argumentative manner in which only a genius can indulge. He has never
annoyed me for I love his spontaneity and his youth. He has emulated
the acts of several stars and, like the aspiring pugilist who is ever
ready to assume the name of a champion older in experience, such as
"Young" Corbett or "Young" Fitzsimmons, he delights in being known as
"Young" Mansfield. He has some charm and is most convincing to those
who are not conversant with his methods.
He has succeeded in interesting several conspicuous
people--millionaires and prominent theatrical and operatic stars,
including a prima donna known to fame. The latter became interested in
him to such an extent that an amour sprang up and they disappeared for
a time (that is they imagined they had, but delightful Paris, which
always treats such vagaries as they deserve, was fully cognizant of the
situation, looked on and smiled).
I was ignorant of their rendezvous. I never imagined that the lady whom
he had mentioned to me as being mildly interested in him was in the
same country until one day during a visit to a nerve specialist, to
whom this young man had recommended me, the man of medicine remarked:--
"I was at the Opera last night and bowed to your young friend----but
he failed to acknowledge the salutation. He concealed himself behind
the curtains of the box he was occupying, evidently not seeking
recognition. That was unnecessary as I am on the board of directors
at the Grand Opera House and sent the box to Madam ---- whose guest
your young friend was. Why should he disguise the fact that he was her
friend?"
"Is that known in Paris?" I gasped.
"Certainly," he answered.
"And does it not affect the lady's social and professional standing?" I
queried.
"My friend," replied the doctor, "we love artists; we question not the
motives that make them artists, be it illicit love or sanctioned. It's
all the same; they are creatures of caprice and have many nests."
"Does that apply to private life in Paris?" I asked.
"Certainly," quoth the Philosopher of Nerves. "Why, it is most
difficult to give a dinner party these days. One cannot invite the
husband without first ascertaining the name of his affinity, nor the
wife without knowing the name of her sweetheart. My wife always
arranges the table to avoid awkward complications."
I thought how delightfully naïve and completely perfect was their
understanding. That splendid point of view was unlike the ostrich
methods in vogue in London and insular New York.
No wonder my young friend and his prima donna met with disaster when
they crossed the Channel!
But I admire him and his audacity.
_Chapter XLIV_
DAVID WARFIELD
Public-domain text, read in full here on John Shaqi.
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