He was quite right--I wasn't! Thursday night a tranquil mob avoided the Baldwin Theatre. Rows of red plush chairs yawned eloquently. Perhaps yours truly was the cause of this. Something was the cause. Maybe the transition from broadcloth to homespun shocked the San Francisco public! It could not have been the play. Ruskin classified paintings into three orders and ranks least of all those which represent the passions and events of ordinary life. Perhaps the enlightened public of San Francisco agrees with Ruskin. I don't. I want the mirror held up to Nature even though it is bespattered with a little wholesome mud. Jim Radburn is a little man with red hair. He is dramatic, not theatrical. But San Francisco asked, "How can a man be a hero and have red hair?" The public will never divorce the individual from the character portrayed. It has been my great battle for years to endeavor to persuade the public to realize that it must disassociate the two. Banish the man and woman artist you meet in every day life and absorb the characters of the parts which they are portraying. Then we shall stand side by side in art with any country. I am very glad to say that I see development every day in the right direction, particularly in my own little efforts. If I succeed in piercing the tissue that separates laughter from tears who is so narrow as to grudge me the modest rank I hope to attain in the realms of dramatic art? This talk of mediocre business in San Francisco recalls a story told of the late William Manning, one of the cleverest of all Ethiopian comedians. He had arrived at the most critical period in his career, poor and in ill health. But he procured a backer and took out a company of minstrels. The trip proved disastrous and they were about to close. But Manning bore his losses with great fortitude and humorous philosophy. One morning, after a wretched house the previous evening, he chanced to run across a professional rival of his, but socially a great friend, Billy Emerson. They exchanged salutations. Emerson at this time was at the zenith of his fame and quite wealthy. It took but a few moments for the epigrammatic Manning to acquaint the successful African Impresario, Emerson, of his financial condition. To quote a Rialto expression, "he touched and fetched!"--meaning, he solicited financial aid and his request was granted. As Manning stalked away, his face wreathed in smiles, which actually seemed to reflect their rays on the tall silk hat which always adorned the minstrel irrespective of his bank account, Emerson called after him, "Say, by the way, Bill, where do you play to-night?" Manning, after feeling in his vest pocket to reassure himself that Emerson had really given him $500, replied: "Now we play Albany. If I had not met you we should have spent the summer here!" "We play there two nights after you," said Emerson. "Will you announce us to the public from the stage?" "Yes, I will--if he stays," replied Manning.