Senator Arthur Pugh Gorman once told me that failures were a good remedy for success and brought people to a realization of their own unimportance. Granted, if failure were individual, but as failure does not as a rule affect only one's self it is hard to administer the doses of the plural to mitigate the humiliation of the singular. Has it ever occurred to the average critic that when a play fails not only the author and the leading artist are submerged in the vortex of despair, but all the tributaries of the enterprise go down with the ship? But what do they care--when many of the successful actors proclaim to the world that they enjoy their "art"--succeeding or failing!--and respect the reviewers of their work? I regret that many of them are only too willing to assist the critics in tearing down the structure of the successful player. Some time ago I had a long talk with a comedian, short and very funny, on and off the stage. He is a true artist, a wit, gentle in his methods and a truly legitimate comedian. He was complaining of the existing conditions of the stage and assured me that it was only the lack of funds which compelled him to remain upon the boards to make the public laugh; that he was praying for the time when he could forget his gifts and leave the stage forever. The little chap has worked like a galley slave for years. I know of one period in his career when he produced three consecutive failures in an equal number of weeks in a New York theatre; produced them and incurred all the risks--and finally landed the fourth a winner. He is constantly producing new material and to-day a New York playhouse displays an electric sign which spells his name. Yet he desires to leave the stage forever! Of course, he does! What honest actor does not? Another artist, a friend of mine who has played to the largest receipts ever known in the history of the stage, told me recently that he was going to give it up, imparting to me the fact that he could no longer stand the humiliation and the heartaches he was forced to endure! The attitude of these gifted players is as an oasis in the desert of incompetency and convinces me that irrespective of the type that spells inadequacy and commercial success for a few of the ephemeral stars there are some self-respecting actors left who refuse to accompany these unworthy disciples down the narrow path that must lead to an eventual eclipse. What an unthinking person is the average front-of-the-curtain speech maker! Fancy thanking an audience for the privilege of entertaining it! It has always struck me as being ludicrous. But I can sympathize with an actor thanking an audience for sitting out a failure! I believe it was Charles Lamb or someone equally clever who remarked, "Apprentices are required for every trade, save that of critic; he is ready-made." How true!