Nat Goodwin's BookGoodwin, Nat. C. (Nathaniel Carll)
General
Nat Goodwin's Book
Goodwin, Nat. C. (Nathaniel Carll)
Actors -- Correspondence
A limpid, casual stream flows slyly down as if fearful of discovery.
The shrill, demoniac bark of the coyote gives the chickens and the
goats warning that the scavenger of the desert is near, seeking to
destroy. Then all is hushed again and a luminous silence known only to
the few imparts to us the fact that a day has died. But another and
another will yet be born--and thus they'll come and go until eternity.
* * * * *
Life is a bridge of sighs over which memory glides into a torrent of
tears.
* * * * *
There is nothing so serious as fun.
* * * * *
I have never known a true comedian who was not a master of sentiment.
* * * * *
All the tragedians whom I have ever known were never more tragic than
when they tried to be comic.
_Chapter LXXXVI_
I BECOME A BARNSTORMER!
While I was at work on my ranch, disgusted with the methods of New
York managers, I received a proposition from Oliver Morosco to appear
in New York under his management in a new play which I was first to
try out with one of his stock companies in Los Angeles. If that play
proved a failure Morosco agreed to submit others to me until we finally
succeeded in finding a success. Evidently my short season with the
opposition stock company had given Morosco pause!
It looked like an advantageous offer and I accepted, consenting to
appear in "Oliver Twist" in one of his stock houses--among other plays.
We had just begun rehearsals of "Oliver Twist" when an accident laid me
low.
Morosco, who was in New York at the time, sent two of his employees to
my house within an hour after I had been carried in and from them and
from him, by telegrams, I received repeated assurances that I need not
worry, that the contract would continue in force indefinitely. As soon
as I should be able to appear on the stage Morosco promised to carry
out his part of the agreement to the letter.
I was sufficiently recovered in February, 1913, to appear as Fagin. The
play ran three weeks at the stock house in Los Angeles and then I found
myself wondering what was to become of me! The great Morosco was "back
East" somewhere. No one seemed to be able to locate him or to get word
to him. So I waited about four or five weeks on the pleasure of this
magnate! Finally came word that we were to organize a company on the
spot and make a tour of the Coast in "Oliver Twist," extending it to
Canada and continuing in it for the remainder of the season.
I had heard of but had never known what "barnstorming" meant before.
I know now!
Public-domain text, read in full here on John Shaqi.
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