American fiction -- 19th century; Short stories, American
Again, and still more earnestly than before, Ernest examined the poet's
features; then turned towards the Great Stone Face; then back, with an
uncertain aspect, to his guest. But his countenance fell; he shook his
head, and sighed.
"Wherefore are you sad?" inquired the poet.
"Because," replied Ernest, "all through life I have awaited the
fulfilment of a prophecy; and, when I read these poems, I hoped that it
might be fulfilled in you."
"You hoped," answered the poet, faintly smiling, "to find in me the
likeness of the Great Stone Face. And you are disappointed, as formerly
with Mr. Gathergold, and Old Blood-and-Thunder, and Old Stony Phiz. Yes,
Ernest, it is my doom. You must add my name to the illustrious three,
and record another failure of your hopes. For--in shame and sadness do I
speak it, Ernest--I am not worthy to be typified by yonder benign and
majestic image."
"And why?" asked Ernest. He pointed to the volume. "Are not those
thoughts divine?"
"They have a strain of the Divinity," replied the poet. "You can hear in
them the far-off echo of a heavenly song. But my life, dear Ernest, has
not corresponded with my thought. I have had grand dreams, but they
have been only dreams, because I have lived--and that, too, by my own
choice--among poor and mean realities. Sometimes even--shall I dare to
say it?--I lack faith in the grandeur, the beauty, and the goodness,
which my own works are said to have made more evident in nature and in
human life. Why, then, pure seeker of the good and true, shouldst thou
hope to find me, in yonder image of the divine?"
The poet spoke sadly, and his eyes were dim with tears. So, likewise,
were those of Ernest.
At the hour of sunset, as had long been his frequent custom, Ernest was
to discourse to an assemblage of the neighboring inhabitants in the open
air. He and the poet, arm in arm, still talking together as they went
along, proceeded to the spot. It was a small nook among the hills, with
a gray precipice behind, the stern front of which was relieved by the
pleasant foliage of many creeping plants, that made a tapestry for the
naked rock, by hanging their festoons from all its rugged angles. At a
small elevation above the ground, set in a rich framework of verdure,
there appeared a niche, spacious enough to admit a human figure, with
freedom for such gestures as spontaneously accompany earnest thought and
genuine emotion. Into this natural pulpit Ernest ascended, and threw a
look of familiar kindness around upon his audience. They stood, or sat,
or reclined upon the grass, as seemed good to each, with the departing
sunshine falling obliquely over them, and mingling its subdued
cheerfulness with the solemnity of a grove of ancient trees, beneath and
amid the boughs of which the golden rays were constrained to pass. In
another direction was seen the Great Stone Face, with the same cheer,
combined with the same solemnity, in its benignant aspect.
Public-domain text, read in full here on John Shaqi.
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