Hawthorne, Nathaniel, 1804-1864; Novelists, American -- 19th century -- Biography
lady dies in drinking the draught that should free her. The fact that
Hawthorne, when writing the story, said he did not know how it would
end, is interesting as indicating that his literary habit was to let the
story tell itself from within according to its impulses, and not to
shape it from without by his own predetermined purpose; a pure
allegorist, it may be observed, would have followed naturally the latter
method. This may account for the indefiniteness and mystery of effect
often felt, as well as for the inartistic didacticism in the concluding
sentences, frequently to be observed, where it appears as one or more
afterthoughts possibly to be drawn from the story, but not exhausting
its moral significance. In this case, powerful as the tale is, the moral
intention is left vague, though except as a parable the invention is
meaningless.
In the last story to be instanced, "The Artist of the Beautiful," the
lucidity of the parable is complete. The physical object is the
butterfly; on its wings the tale moves, and perishes in its destruction.
The moral idea lies in the exposition of achievement as a freeing of the
artist's soul so that his work has become a thing of indifference to
him, let its fortunes be what they will,--it is the dead chrysalis from
which he has escaped; and the isolation of the artist's life is set
forth pathetically but with no suggestion of evil in it, for though the
world has rejected him he lives in his own world in the calm of victory.
No tale is so delicately wrought as this; in it the symbolism, which is
carried out in minute and precise detail, the moral significance, which
is as clear as it is deep, and the presence of a spiritual world in life
for which a visible language is found, are all present, in harmonious
blending; and it has the added and rare charm of happiness without loss
of truth. It is unique; and if one were to choose a single tale, best
representing Hawthorne's powers, methods, and successes, technically and
temperamentally as well as in imaginative reach and spiritual appeal, it
is by this he should be known.
Public-domain text, read in full here on John Shaqi.
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