Natural history, lore and legend : $b Being some few examples of quaint and by-gone beliefs gathered in from divers authorities, ancient and mediæval, of varying degrees of reliabilityHulme, F. Edward (Frederick Edward)
History
Natural history, lore and legend : $b Being some few examples of quaint and by-gone beliefs gathered in from divers authorities, ancient and mediæval, of varying degrees of reliability
Hulme, F. Edward (Frederick Edward)
Animals, Mythical; Monsters; Science -- History; Zoology -- History
It was a very old belief that when the wild boar was hunted its tusks
grew so hot in its rage and excitement as to actually burn the dogs if
they came within the terrible sweep of them. Xenophon tells us in his
description of the chase of the boar that hairs laid upon the tusks
shrivel up even after the brute is slain. This belief has been handed
down from generation to generation of writers on so-called natural
history, and even in a book in our possession, published in London in
1786, we find the statement only very slightly qualified by a preliminary
“it is said.” “It is said that when this creature is hunted down his
tusks are so inflamed that they will burn and singe the hair of the
dogs.” Shakespeare says that the “ireful boar” does not even fear the
lion, and Guillim says that “he is counted the most absolute Champion
amongst Beasts, for that he hath weapons to wound his foe, which are his
strong and sharp Tusks, and also his Target to defend himself: for which
he useth oft to rub his shoulders and sides against Trees, wherewith to
harden them against the stroke of his Adversary.”
Herbert states in his book of travels that there are on the African
coast, opposite Madagascar, vast herds of wild swine that are greatly
esteemed by the natives of those parts, not only for their flesh, but
more especially for a stone that is found often within them, which is
“very soveraign against poison.” The Spaniards, he tells us, call it
Pietro del Porco. The virtue of this stone is supposed to arise from
their feeding upon certain medical herbs.
The ermine was believed to prefer death to defilement, and if placed
within a wall or ring of mud, would kill itself rather than contaminate
its spotless fur. It is on this account that ermine is selected as the
robe of prince and judge—an emblem of unspotted purity. Beaumont and
Fletcher, in their “Knight of Malta,” refer to this in the line:—
“Whose honour, ermine-like, can never suffer spot.”
In a portrait of Queen Elizabeth at Hatfield, an ermine is represented as
running up her arm, as a delicate compliment to the Virgin Queen.
Public-domain text, read in full here on John Shaqi.
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