Natural history of intellect, and other papersEmerson, Ralph Waldo
Philosophy
Natural history of intellect, and other papers
Emerson, Ralph Waldo
American essays -- 19th century; Boston (Mass.); Intellect; Memory; Michelangelo Buonarroti, 1475-1564; Milton, John, 1608-1674
The ancients are only venerable to us because
distance has destroyed what was trivial; as the sun and stars affect
us only grandly, because we cannot reach to their smoke and surfaces
and say, Is that all?
And yet the gravity of the times, the manifold and increasing dangers
of the English State, may easily excuse some over-coloring of the
picture; and we at this distance are not so far removed from any of
the specific evils, and are deeply participant in too many, not to
share the gloom and thank the love and courage of the counsellor.
This book is full of humanity, and nothing is more excellent in
this as in all Mr. Carlyle’s works, than the attitude of the writer.
He has the dignity of a man of letters, who knows what belongs to
him, and never deviates from his sphere; a continuer of the great
line of scholars, he sustains their office in the highest credit
and honor. If the good heaven have any good word to impart to this
unworthy generation, here is one scribe qualified and clothed for its
occasion. One excellence he has in an age of Mammon and of criticism,
that he never suffers the eye of his wonder to close. Let who will be
the dupe of trifles, he cannot keep his eye off from that gracious
Infinite which embosoms us.
As a literary artist he has great merits, beginning with the main
one that he never wrote one dull line. How well-read, how adroit,
what thousand arts in his one art of writing; with his expedient
for expressing those unproven opinions which he entertains but
will not endorse, by summoning one of his men of straw from the
cell,—and the respectable Sauerteig, or Teufelsdröckh, or Dryasdust,
or Picturesque Traveller, says what is put into his mouth, and
disappears. That morbid temperament has given his rhetoric a somewhat
bloated character; a luxury to many imaginative and learned persons,
like a showery south-wind with its sun-bursts and rapid chasing of
lights and glooms over the landscape, and yet its offensiveness to
multitudes of reluctant lovers makes us often wish some concession
were possible on the part of the humorist. Yet it must not be
forgotten that in all his fun of castanets, or playing of tunes with
a whip-lash like some renowned charioteers,—in all this glad and
needful venting of his redundant spirits, he does yet ever and anon,
as if catching the glance of one wise man in the crowd, quit his
tempestuous key, and lance at him in clear level tone the very word,
and then with new glee return to his game. He is like a lover or an
outlaw who wraps up his message in a serenade, which is nonsense to
the sentinel, but salvation to the ear for which it is meant. He does
not dodge the question, but gives sincerity where it is due.
Public-domain text, read in full here on John Shaqi.
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