Natural history of intellect, and other papersEmerson, Ralph Waldo
Philosophy
Natural history of intellect, and other papers
Emerson, Ralph Waldo
American essays -- 19th century; Boston (Mass.); Intellect; Memory; Michelangelo Buonarroti, 1475-1564; Milton, John, 1608-1674
Transfer these traits to a very elegant and accomplished mind, and
we shall have no bad picture of Walter Savage Landor, who may stand
as a favorable impersonation of the genius of his countrymen at the
present day. A sharp, dogmatic man, with a great deal of knowledge,
a great deal of worth, and a great deal of pride; with a profound
contempt for all that he does not understand; a master of all elegant
learning, and capable of the utmost delicacy of sentiment, and
yet prone to indulge a sort of ostentation of coarse imagery and
language. His partialities and dislikes are by no means culpable, but
are often whimsical and amusing; yet they are quite sincere, and,
like those of Johnson and Coleridge, are easily separable from the
man. What he says of Wordsworth is true of himself, that he delights
to throw a clod of dirt on the table, and cry “Gentlemen, there is
a better man than all of you.” Bolivar, Mina and General Jackson
will never be greater soldiers than Napoleon and Alexander, let Mr.
Landor think as he will; nor will he persuade us to burn Plato and
Xenophon, out of our admiration of Bishop Patrick, or “Lucas on
Happiness,” or “Lucas on Holiness,” or even Barrow’s Sermons. Yet a
man may love a paradox without either losing his wit or his honesty.
A less pardonable eccentricity is the cold and gratuitous obtrusion
of licentious images, not so much the suggestion of merriment as of
bitterness. Montaigne assigns as a reason for his license of speech,
that he is tired of seeing his Essays on the work-tables of ladies,
and he is determined they shall for the future put them out of sight.
In Mr. Landor’s coarseness there is a certain air of defiance, and
the rude word seems sometimes to arise from a disgust at niceness
and over-refinement. Before a well-dressed company he plunges his
fingers in a cesspool, as if to expose the whiteness of his hands
and the jewels of his ring. Afterward, he washes them in water, he
washes them in wine; but you are never secure from his freaks. A sort
of Earl Peterborough in literature, his eccentricity is too decided
not to have diminished his greatness. He has capital enough to have
furnished the brain of fifty stock authors, yet has written no book.
Public-domain text, read in full here on John Shaqi.
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