Country life -- England; Natural history -- Outdoor books; Nature study
Beneath the towing-path, at the root of the willow bushes, which the
tow-ropes, so often drawn over them, have kept low, the water-docks lift
their thick stems and giant leaves. Bunches of rough-leaved comfrey grow
down to the water's edge--indeed, the coarse stems sometimes bear signs
of having been partially under water when a freshet followed a storm.
The flowers are not so perfectly bell-shaped as those of some plants,
but are rather tubular. They appear in April, though then green, and may
be found all the summer months. Where the comfrey grows thickly the
white bells give some colour to the green of the bank, and would give
more were they not so often overshadowed by the leaves.
Water betony, or persicaria, lifts its pink spikes everywhere, tiny
florets close together round the stem at the top; the leaves are
willow-shaped, and there is scarcely a hollow or break in the bank where
the earth has fallen which is not clothed with them. A mile or two up
the river the tansy is plentiful, bearing golden buttons, which, like
every fragment of the feathery foliage, if pressed in the fingers,
impart to them a peculiar scent. There, too, the yellow loosestrife
pushes up its tall slender stalks to the top of the low willow-bushes,
that the bright yellow flowers may emerge from the shadow.
The river itself, the broad stream, ample and full, exhibits all its
glory in this reach; from One Tree to the Lock it is nearly straight,
and the river itself is everything. Between wooded hills, or where
divided by numerous islets, or where trees and hedges enclose the view,
the stream is but part of the scene. Here it is all. The long raised
bank without a hedge or fence, with the cornfields on its level, simply
guides the eye to the water. Those who are afloat upon it insensibly
yield to the influence of the open expanse.
The boat whose varnished sides but now slipped so gently that the
cutwater did not even raise a wavelet, and every black rivet-head was
visible as a line of dots, begins to forge ahead. The oars are dipped
farther back, and as the blade feels the water holding it in the hollow,
the lissom wood bends to its work. Before the cutwater a wave rises,
and, repulsed, rushes outwards. At each stroke, as the weight swings
towards the prow, there is just the least faint depression at its stem
as the boat travels. Whirlpool after whirlpool glides from the oars,
revolving to the rear with a threefold motion, round and round,
backwards and outwards. The crew impart their own life to their boat;
the animate and inanimate become as one, the boat is no longer wooden
but alive.
Public-domain text, read in full here on John Shaqi.
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