Naval battles of the world : $b Great and decisive contests on the sea ... with an account of the Japan-China war and the recent battle of the Yalu; the growth, power, and management of our new Navy.Shippen, Edward
History
Naval battles of the world : $b Great and decisive contests on the sea ... with an account of the Japan-China war and the recent battle of the Yalu; the growth, power, and management of our new Navy.
Shippen, Edward
Naval battles; Sino-Japanese War, 1894-1895; United States. Navy
On the 12th of April the French were again seen, near the Saintes, and
one of their ships, having lost her foremast and bowsprit, was seen, in
tow of a frigate, standing in for Guadaloupe. Rodney made signal for
four ships to chase, which being perceived, De Grasse bore up, with his
fleet, to protect them. But finding that by persevering in this course,
he should give the British the weather-gage, he gave up his intention,
and formed line on the port tack. Rodney, perceiving an engagement
inevitable, recalled his chasing ships, and made signal to form line of
battle on the starboard tack, Rear-Admiral Drake’s division leading.
The two fleets gradually neared each other, the French only just
crossing the bows of the English, to windward.
At 8 A.M. the leading English ship, the Marlborough, 74, opened the
action, firing upon the French centre and rear. Sir George Rodney
then made signal for “close action,” and Drake’s division was at once
closely engaged. The rest of the English were nearly becalmed, as were
the French soon after. The wind then hauled to the southward, and while
this completely disarranged the French line, it did not so much affect
the English, and Rodney, perceiving an opening in his adversaries’
line, kept a close luff and passed through it, cutting off their rear.
It is not thought that Rodney deliberately planned this, but it was the
first time that the stiff notion of preserving a line-of-battle at all
hazards, and when advantage could be gained from departing from it, was
broken through.
Public-domain text, read in full here on John Shaqi.
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