'Neath the Hoof of the Tartar; Or, The Scourge of GodJósika, Miklós, báró
History
'Neath the Hoof of the Tartar; Or, The Scourge of God
Jósika, Miklós, báró
Hungary -- History -- Mongol Invasion, 1241-1242 -- Fiction
It was a gloomy day, and the storm-clouds were chasing one another
across the sky, as if they, too, were going to hold a rendezvous
somewhere, to consult perhaps how many thunderbolts would be required to
reduce the country to a heap of ruins.
Batu Khan's tent was pitched in the centre of a vast plain, and round it
were gathered a large number of Mongols, some mounted, some on foot. In
the background, making a terrific noise, were a swarm of filthy Mongol
children, who were lying about under a group of tall trees.
The mud huts and numberless tents of the Mongol camp formed an extended
semicircle at some little distance, and within this were drawn up a
number of Mongol horsemen, quite unconcerned apparently at the blackness
of the sky and the distant muttering of the thunder.
Batu Khan was seated on a camp-stool brilliantly attired as if for some
great ceremony. Around him stood more than thirty chiefs, armed from
head to foot, and among them was Libor, who had surpassed himself in the
magnificence of the apparel which he had assumed in honour of the day's
festivity.
He stood on the Khan's right hand, and more than once had the honour of
being addressed by that personage; behind him, as behind the other
chiefs, stood a swarm of servants, their ears--if they were still lucky
enough to possess such appendages--ever attentive to catch the commands
of their masters. Father Roger had been present in Libor's retinue on
this occasion, a slave among slaves.
Presently the wild Mongolian "band" struck up. Its members were a motley
crew, stationed before the Khan's tent, and their songs were of the most
ear-splitting variety, accompanied too by the dull roll of drums and the
screeching of pipes and horns, the whole performance being such as to
baffle description, and to be compared only with the choicest of cats'
concerts.
The "music" seemed to be intended as a welcome to a white-flagged
procession which now appeared in the distance, advancing towards the
Khan, every member heavily laden. It consisted in fact of the whole
population of some two hundred villages and hamlets, from the district
of which Libor was chief magistrate.
Meanwhile, Father Roger had brought round Libor's horse, magnificently
caparisoned, and at the first burst of music, the Knéz mounted and
galloped off, followed, in obedience to his haughty signal, by a couple
of armed Mongols, the Mongol chiefs meanwhile looking on with envious
eyes. They were not too well pleased with the Tartar-Magyar's rise to
favour.
Libor galloped across the plain to meet the new-comers, who bowed down
before him as if he had been a god, and then rising again at his
command, followed him to the camp, where he drew them up in a long line;
after which he hurried back to the Khan, dismounted, and announced that
his people had brought him such gifts as they could, and only awaited
his orders.
Public-domain text, read in full here on John Shaqi.
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