'Neath Verdun, August-October, 1914Genevoix, Maurice
History
'Neath Verdun, August-October, 1914
Genevoix, Maurice
Verdun, Battle of, Verdun, France, 1914
Pannechon looks up. Still kneeling and resting his hands on the
inclined plank before him, he turns his head to look at me.
"Yes, Lieutenant. I have only this flannel waistcoat to finish. I have
put everything to dry in the cupboard behind the chimney-piece in the
house."
The house! He means the one that sheltered us last night. It resembles
that in which we slept on the night of September 25th; it resembles
all the other houses in the village; only certainly it ranks among the
least dirty of them. In my frenzy of organization and cleansing I have
had the greasy dishes washed which littered the chairs and the bed; I
have scraped the stained table with a piece of glass; not even the
kneading-trough have I forgotten. Moreover, I have put back the faded
family photographs I found lying about in confusion; closed all the
yawning drawers, and arranged in the linen-chest coarse shirts and
wearing apparel, a riding coat, a green dress, and some chintzes.
Pannechon has hung a cloth before the window, so that I am no longer
compelled to look on empty window-frames and the shell-holes
desolating the meadows.
Now that the door is closed and I am alone with him and Viollet, a
taciturn and devoted lad, I no longer feel the depression which always
overwhelms me at the sight of the desolated and shattered homes. This
one, for the time being at least, is barred against the intrusion of
passers-by. Peace has descended upon it; I do not want that peace to
be disturbed. If anyone comes prying and poking his nose around the
door, he will quickly find himself in the road again.
Sitting before the table smoking my pipe, I am writing and making
notes of events worthy of remembrance. My pen runs well; my pipe draws
well. From time to time the distant sound of guns makes the walls
tremble and blows our impromptu curtain into the room. That troubles
me but little, however; it signifies nothing to me. On the other hand,
the crackling of the wood burning in the grate fascinates me and holds
my attention. I love this song of the fire and the dancing of the
flames. Pannechon and Viollet are sitting opposite each other beside
the fireplace; Pannechon, with swollen cheeks, is blowing with all the
force of his lungs through a long metal tube which branches at the end
in the form of a lyre; his efforts send the glowing sparks up the
chimney. Viollet is carefully covering some onions with hot cinders.
The day is dying. The solid things about us grow more and more shadowy
as twilight descends. The guns fall silent. It almost seems to me that
the pendulum of the clock on the mantelshelf is going to start again,
steadily and rhythmically marking the flight of the minutes.
All at once Pannechon jumps to his feet so violently that he overturns
his chair. He rushes to the next room shouting:
"Fire! Fire! There's a fire!"
We run out, bumping against each other, to the door. A stifling smoke
envelops us. We choke, we cough, we weep.
Public-domain text, read in full here on John Shaqi.
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