Middle West -- Fiction; Short stories, American; Villages -- Fiction
I’ll never forget his face when he turned to Mis’ Sykes. It wasn’t hard
or cross or accusing--I guess he knew she was just at her crooked way of
trying to be decent! But he made her know firm that if he led the
children’s march, he’d lead it with Chris.--And it was so he done.
...Down the long green they come, side by side. And the other children
fell in behind, and they circled out into a great orbit, with the
Christmas tree in the middle of it. And folks begun to see who the man
was at the head, and the word run round, and they all broke out and
cheered and called out to him. Oh, it was a great minute. I like to
think about it.
And then the murmur begun running round that it was Chris that was with
him. And Mame Holcomb and Eppleby and Mis’ Toplady and me, watching from
the booth, we knew how everybody was looking at everybody else to see
what to think--like folks do. But they didn’t know--not yet.
Then something wonderful happened. Halfway round the Square, Abner
noticed that Chris didn’t have any wand, same as the other children had.
And so, when he was passing the big Cedar-of-Lebanon-looking Christmas
tree, what did he do but break off a little branch and put that in
Chris’s hand. And Chris come on a-waving it, a bough off that tree. I
sort of sung all over when I saw that.
The children ended up round a platform, and up there went the folks
that had been picked out to lead the singing. And as they went they
sung:
“Oh, how lovely is the evening, is the evening, is the evening!”
And in a minute, from first one place and then another the others took
it up, them that had sung it in singing school, years ago--
“When the bells are sweetly chiming, sweetly chiming, sweetly chiming”
and they sung it like a round, which it is, with a great fine booming
bass of
“Ding dong, ding dong, ding dong”
all through it. Do you know that round? If you don’t, get it; and get
some folks together somehow, and sing it. It lets you taste the evening.
But I can’t tell you the way it seemed to us there in Friendship
Village, met together after so many years, and singing together like we
was all one Folk. One Folk.
They sung other songs, while the dusk came on. Abner Dawes was sitting
on the platform, and he kept Chris on his knee--I loved him for that.
There wasn’t a set program. First one would start a song from
somewheres in the crowd, and then another.... And all the time I was
waiting for it to get dark enough to do what I had planned to be
done--and what I’d had men working at near all the night before to get
ready. And when the dark come thick enough, and just at the end, I
remember of their singing “Flow Gently, Sweet Afton,” I thought it was
time.
Public-domain text, read in full here on John Shaqi.
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