Middle West -- Fiction; Short stories, American; Villages -- Fiction
There was yet one thing more happened that wasn’t so much a window as a
door. The next night was to be the Business Men’s meeting, and just
before supper I went to pay my last visit on my list. It was out to the
County House to see the superintendent’s niece that had just resigned
from Eppleby’s store, and that they were afraid was going to Red Barns
to work.
The County House. Ain’t that a magnificent name? Don’t we love to drape
over our bones and our corpses some flying banner of a word like
sarcophagus? The County House sets on a hill. A hill is a grand place
for a County House. “Look at me,” the County House can say, “I’m what a
beneficent and merciful people can do for its unfit.” And I never go by
one that I don’t want to shout back at it: “Yes. Look at you. You’re our
biggest confession of our biggest sham. What right have we, in Nineteen
Hundred Anything, to have any unfit left?”
Right in front of the County House is a cannon. I never figured out the
fitness of having a cannon there--in fact, I never can figure out the
fitness of having a cannon anywhere. But one thing I’ve always noticed:
When public buildings and such do have cannon out in front of them,
they’re always pointing _away_ from the house. Never toward the house.
Always going to shoot somebody else. That don’t seem to me etiquette. If
we must keep cannon for ornament, aren’t we almost civilized enough to
turn ’em around?
Seems the superintendent’s niece wasn’t going to Red Barns at all--she’d
merely resigned to be married and had gone to town to buy things--a part
of being married which competes with the ceremony, neck and neck, for
importance. In the passageway, the matron called me in the office. She
was a tall, thick woman with a way of putting her hand on your back to
marshal you, as mothers do little children in getting them down an
aisle. Yes, she was a marshaling woman.
“Look here,” says the matron, proud.
They’d put a glass case up in the office and it was all hung with
work--crocheted things, knit and embroidered things, fringed things.
“Did by the inmates,” says she, proud. That word “inmates” is to the
word “people” what the word “support” is to the word “share.” It’s a
word we could spare.
I looked at the things in the case--hours and hours and hours the
fingers of the women upstairs had worked on ’em--intricate counting,
difficult stitches, pretty patterns. And each of them was marked with a
price tag. The County House inmates had got ’em hung out there in the
hope of earning a little money. One was a bed-spread--a whole crocheted
bed-spread. And one--one was a dress crocheted from collar to hem, and
hung on with all sorts of crazy crocheted ends and tassels so--I
knew--to make the job last a little longer. And when I saw that, I
grabbed the tall, thick matron by the arm and I shook her a little.
“What was we doing,” I says, “that these folks wasn’t taught to do some
kind of work so’s they could have kept out of the poor house?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account