Middle West -- Fiction; Short stories, American; Villages -- Fiction
...I sat there with her till the lights come out. I promised to come
next day and bring her a little calico pocket. And then I set and let
her talk to me--about how things use’ to be. When at last the matron
come to take ’em away to be fed, I went out, and I ran down the road in
the dark. And it was one of the times when the world of life is right
close up, and you can all but touch it, and you can almost hear what it
says, and you know that it can hear you--yes, and you almost know that
it’s waiting, eager, to hear what _you_ are going to say to it. For one
force breathes through things, trying to let us know it’s there. It was
speaking to me through that wrecked home of Grandma Stuart’s--through
the man’s knife, the child’s ring, the door-key; and through the
pitiful, clever, crocheted stuff in the glass case in the County House;
and through David, and through all them that we were trying to fix up a
club for--like a pleasant plaster for something that couldn’t be touched
by the remedy.
Out there in the soft night, the world looked different. I donno if
you’ll know what I mean, but it was like the world I knew had suddenly
slipped inside another world--like a shell; and the other one was bigger
and better and cut in a pattern that we haven’t grown to--yet. In the
west a little new moon was showing inside the gold circle of the big
coming full moon. And it seemed to me as if the world that I was in must
be just the little thin promise of the world that could be--if we knew.
Sometimes we do know. Sometimes, for just a minute, we see it. That
night was a night when I know that I saw. After you see, you never
forget.
“Life is something else than what we think it is,” I says to myself as I
ran along the road in the dark. “It’s something better than we think it
is.”
As I ran, I stopped in to Mis’ Beach’s house and asked for something.
“Oh, Mis’ Beach,” I says, “Oh, David! Will you let me take something?
Will you let me borrow the clock you put together without anybody
telling you how? Just for this evening?”
They said they would and they didn’t question that, particular, either.
And I took the clock. And being David was going for the yeast, he came
out with me, and we went on together. He ran beside me, the little lad,
with his hand in mine. And as I ran, it seemed to me that I wasn’t
Calliope Marsh any more, but that I was the immemorial woman, running
with the immemorial child, toward the hope of the better thing, always
the better thing.
Past the Post-Office Hall I went, already lighted for the Business
Meeting, and on to Abigail Arnold’s Home Bakery.
Abigail was sitting, dressed and ready, with her list in her hand. But
when she saw me she burst out with some strange excitement in her face:
“Calliope!” she says. “Silas has been here. He said you hadn’t handed in
your report. I--I don’t think he expects you to go to the meeting. I
know he didn’t expect me.”
“Didn’t he now?” I says. “Very well then, he didn’t. Are you ready?”
Public-domain text, read in full here on John Shaqi.
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