Neighbourhood: A year's life in and about an English villageEdwardes, Tickner
General
Neighbourhood: A year's life in and about an English village
Edwardes, Tickner
Country life -- England
But it is in the actual weaving of the nets that the interest of the
onlooker will be chiefly centred. The maker of the vertical, or
cartwheel, pattern of web begins operations in various ways, according to
the conditions imposed upon her by the weather and the spot she has
selected. Webs made in calm seasons, or when only light airs are
stirring, will have few mainstays, and these may be of considerable
length; but in windy times the spider will stretch her snare on only
short hawsers, using as many as may be necessary to make assurance doubly
sure. But in either case she will commence the work in much the same
way.
First she goes to the highest point on the windward side of her gap, and
turning her head to the current, begins to pay out a line behind her. As
this floats out, she continually tries it with her leg until she knows
that the end of the line has caught in the opposite twigs. Then she runs
to the middle of this horizontal line, dragging after her another thread
which she has previously attached to her original starting-point. From
the centre of the first line she lowers herself vertically, always
dragging the second line in her rear, until she reaches a twig below.
Here she draws her second line tight and fastens it, after which she
climbs to the horizontal line and repeats the manœuvre, only this time
from its leeward end. Thus the triangle of mainstays—the first essential
in all spider-web making—is complete.
The weaving of the net within this triangular frame is the next work
undertaken. The spider, when she first dropped from the centre of her
uppermost thread, made a vertical line in descending. Some point on this
line marks the centre of the future cartwheel pattern of web, and this
central point the spider now finds unerringly, and begins to put in one
by one the radiating spokes of the wheel. When all these spokes are in
place, she returns to the centre, and revolving her body quickly, she
forms upon it a close spiral of four or five turns. This is to be her
seat and watch-tower, whence she will keep the whole web under
observation. Having done this, she now—if the morning is at all
breezy—carries temporary stay-lines from spoke to spoke all round the
web, these isolated circles of thread occurring at intervals of an inch
or so between centre and circumference. But on still mornings this part
of her work is omitted as unnecessary, and she proceeds at once to the
main spinning of the net.
Public-domain text, read in full here on John Shaqi.
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