Neither Jew nor Greek : $b a story of Jewish social lifeGuttenberg, Violet
General
Neither Jew nor Greek : $b a story of Jewish social life
Guttenberg, Violet
Jews -- England -- Fiction
Celia was well-nigh distracted. Although loth to cause the stage-manager
so much inconvenience and bother, it would be too terrible to think of
Herbert, perhaps dying, with none of his own kin near him, whilst she
was playing on the hateful stage. Calhoun pulled out his watch, for the
precious minutes were speeding away. All three looked at her in eager
expectation. What would her answer be?
After what seemed an eternity, although it was in reality only about
fifty seconds, she heaved a deep sigh.
“All right, I’ll go through with it,” she said with an effort. “Or at
least I’ll do my best. But please--leave me alone--just for a few
minutes.”
“That’s a brave girl!” exclaimed Haviland, with gratification. “I knew
she wouldn’t put us in such a fix.”
“In seven minutes the call-boy will be here,” said the stage-manager;
and then with a word of encouragement the two men withdrew.
Celia sat down at the table and buried her face in her hands. She tried
to think, even to pray, but her senses seemed quite dulled. Fortunately
the possibility of her stumbling or breaking down never entered her
mind. She had promised to go through with it; and she meant to fulfil
her promise. There might be tears and pain at heart, but there would be
the usual stage-smile on her face. When she raised her head, there was
an expression of almost fierce determination on her countenance. She
would not, must not, fail!
Mrs. Jackson readjusted the details of her costume, whilst Grace tried
to utter words of commiseration and encouragement. Then the former
produced a small spirit-flask and glass, and bade Celia drink.
“There’s nothing like a drop of brandy neat, for putting life into a
body,” she said cheerfully. “Come now, drink it, missie; it will do you
good.”
But the girl demurred. “No thanks, I would rather not,” she replied. “I
am all right now;” and then the patter of flying feet heralded the
coming of the call-boy.
For years after Celia remembered that night, and declared she could
never have gone through it again. Calhoun said she had never acted so
well. In the third act, in which she was the central figure all through,
she surpassed herself, and as the curtain fell, evoked a veritable
tumult of applause. And not one out of that light-hearted,
pleasure-loving audience had the slightest idea how it hurt her to give
that merry ringing laugh at the end of the first scene; or that when,
later on, she had to say, “Where is my beloved?... My beloved lays
a-dying!” the tears in her voice were unfeigned.
Public-domain text, read in full here on John Shaqi.
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