"I realize the importance," I said, "of such a collection to every
student. But all this comes before your Transition Period and I do not
see its bearings upon the great problem of the present day in my own
country--how to secure the same conditions which I find prevailing
here."
"As yet," said Norrena, "you have only seen the relics of barbarism.
This museum is twenty stories high above the level of the bluff on
which it stands, and each story bears its record of the onward and
upward progress of the race. The first were erected soon after the
Transition Period, but others have been added since that time, to make
room for the evidences of our progress. We will now ascend to the one
devoted to the Transition Period."
We stepped upon the elevator and in a moment more were ushered into one
of the upper stories, and I found myself confronted by a display, such
as would characterize a first-class exposition of the present day in
the United States; with this difference, however; it represented the
poverty and misery of the hovel as faithfully as it did the grandeur
of the palace. Everything seemed familiar and I felt as if I had been
suddenly transported to New York or London. Every feature of the
competitive system of production and distribution was appropriately
illustrated, together with the inevitable consequences to the people;
wealth beyond the dreams of avarice for a favored few and hopeless
poverty and degradation for the many.
The clothing of the workmen in contrast with the gorgeous apparel of
the fashionable bon ton; the furnishings of the hovels of the poor and
the mansions of the rich placed side by side; the coarse and homely
fare of the wealth producer compared with the dainty viands of the
non-producer; all told more plainly than words the story of undeserved
poverty, and in millions of cases, the abject want and misery of
the most useful classes of society, in striking contrast with the
unearned abundance of the idle, and for all practical purposes, the
useless rich. The manner in which the wealth created by the toiling
millions, passed through the channels of trade, into the possession
of a few wealthy speculators, was illustrated by pictures and printed
explanations, in almost endless variety, so that even the most obtuse
observers, could not fail to get a clear idea of the practical workings
of a system of commercial exchange, under the operation of which,
interest, profit and rent were always added to the market price of the
product, every time it changed hands.
One of these illustrations was entitled, "Thirteen Usuries on One
Hog." It represented a hog passing from the farmer at one end of a
long bridge to the workman at the other. From the time the hog starts
from the producer on the farm until it reaches its destination in the
workshop of the consumer, its size (price) has become colossal.
Public-domain text, read in full here on John Shaqi.
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