In the same manner public sentiment was such in the city of Rome, in Nero's day, that to see the chief military magistrate of the commonwealth publicly performing on the stage, and entering into an eager competition with the singing men and women, the low comedians, the dancers, the buffoons, and other such characters, that figured there, was a very humiliating spectacle. In fact, when the time for the quinquennial celebration approached, the government attempted to prevent the necessity of the emperor's actual appearing upon the stage, by passing in the Senate, among other decrees relating to the celebrations, certain votes awarding honorary crowns and prizes to Nero, by anticipation,--thus acknowledging him to be the first without requiring the test of actual competition. But this did not satisfy Nero. In fact, the honor of being publicly proclaimed victor was not probably the chief allurement which attracted him. He wished to enjoy the excitement and the pleasure of the contest,--to see the vast audience assembled before him, and held in charmed and enraptured attention by his performance; and to listen to and enjoy the triumphant grandeur of the applause which rolled and reverberated in the great Roman amphitheaters on such occasions with the sound of thunder. In a word it was the vanity of personal display, rather than ambition for an honorable distinction, that constituted the motive which actuated him. He consequently disregarded the honorary awards which the Senate had decreed him, and insisted on actually appearing on the stage. His first performance was the reciting of a poem which he had composed. The poem was received, of course, with unbounded applause. Afterward he appeared on the stage in competition with the harpers and other musical performers. The populace applauded his efforts with the greatest enthusiasm, while the more respectable citizens were silent, or spoke to each other in secret murmurs of discontent and disapproval. There were a great many rules and restrictions which the candidates in these contests were required to observe; and though they were all proper enough for the class of men for whom they were intended, were yet such that the emperor, in subjecting himself to them, placed himself in a very low and degraded position, so as to become an object of ridicule and contempt. For example, after coming to the end of a performance on the harp, he would advance to the front of the stage, and there, after the manner customary among the players of that day, would kneel down in an imploring attitude, with his hands raised, as if humbly soliciting a favorable sentence from the audience, as his judges, and tremblingly waiting their decision. This, considering that the suppliant performer was the greatest potentate on earth, officially responsible for the government of half the world, and the audience before whom he was kneeling was mainly composed of the lowest rabble