Nero, Emperor of Rome, 37-68; Rome -- History -- Nero, 54-68
There was another reason still for this dispatch. It seems that one
of the effects of the species of poison which Locusta had
administered was that the body of the victim was turned black by it
soon after death. This discoloration, in fact, began to appear in
the face of the corpse of Britannicus before the time for the
interment arrived; and Nero, in order to guard against the exposure
which this phenomenon threatened, ordered the face to be painted of
the natural color, by means of cosmetics, such as the ladies of the
court were accustomed to use in those days. By doing this the
countenance of the dead was restored to its proper color, and
afterward underwent no further change. Still the emperor was
naturally impatient to have the body interred.
The preparations were accordingly made that same evening, and in the
middle of the night the body of Britannicus was buried in the Field
of Mars, a vast parade-ground in the precincts of the city. In
addition to the darkness of the night, a violent storm arose, and
the rain fell in torrents while the interment proceeded. Very few,
therefore, of the people of the city knew what had occurred until
the following day. The violence of the storm, however, which
promoted in one respect the accomplishment of Nero's designs by
favoring the secrecy of the interment, in another respect operated
strongly against him, for the face of the corpse became so wet with
the fallen rain, that the cosmetic was washed away and the blackened
skin was brought to view. The attendants who had the body in charge
learned thus that the boy had been poisoned.
On the morning after the funeral the emperor issued a proclamation
announcing the death and burial of his brother, and calling upon the
Roman Senate and the Roman people for their sympathy and support in
the bereavement which he had sustained.
At the time of his death Britannicus was fourteen years old.
CHAPTER VIII.
THE FATE OF AGRIPPINA.
A.D. 55-60
Public-domain text, read in full here on John Shaqi.
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