The country, I have said, was mixed sand-hill and links; _links_ being a Scottish name for sand which has ceased drifting and become more or less solidly covered with turf. The Pavilion stood on an even space; a little behind it, the wood began in a hedge of elders huddled together by the wind; in front, a few tumbled sand-hills stood between it and the sea. An outcropping of rock had formed a bastion for the sand, so that there was here a promontory in the coast-line between two shallow bays; and just beyond the tides, the rock again cropped out and formed an islet of small dimensions but strikingly designed. The quicksands were of great extent at low water, and had an infamous reputation in the country. Close in shore, between the islet and the promontory, it was said they would swallow a man in four minutes and a half; but there may have been little ground for this precision. The district was alive with rabbits, and haunted by gulls which made a continual piping about the pavilion. On summer days the outlook was bright and even gladsome; but at sundown in September, with a high wind, and a heavy surf rolling in close along the links, the place told of nothing but dead mariners and sea disaster. A ship beating to windward on the horizon, and a huge truncheon of wreck half buried in the sands at my feet, completed the innuendo of the scene. The pavilion—it had been built by the last proprietor, Northmour’s uncle, a silly and prodigal virtuoso—presented little signs of age. It was two storeys in height, Italian in design, surrounded by a patch of garden in which nothing had prospered but a few coarse flowers; and looked, with its shuttered windows, not like a house that had been deserted, but like one that had never been tenanted by man. Northmour was plainly from home; whether, as usual, sulking in the cabin of his yacht, or in one of his fitful and extravagant appearances in the world of society, I had, of course, no means of guessing. The place had an air of solitude that daunted even a solitary like myself; the wind cried in the chimneys with a strange and wailing note; and it was with a sense of escape, as if I were going indoors, that I turned away and, driving my cart before me, entered the skirts of the wood.