He walked down the beach; and the man who was ashore gave him an arm on
board, and then shoved off and leaped into the bows himself. Northmour
took the tiller; the boat rose to the waves, and the oars between the
thole-pins sounded crisp and measured in the morning air.
They were not yet half-way to the _Red Earl_, and I was still watching
their progress, when the sun rose out of the sea.
One word more, and my story is done. Years after, Northmour was killed
fighting under the colours of Garibaldi for the liberation of the
Tyrol.
A LODGING FOR THE NIGHT
A STORY OF FRANCIS VILLON
It was late in November 1456. The snow fell over Paris with rigorous,
relentless persistence; sometimes the wind made a sally and scattered
it in flying vortices; sometimes there was a lull, and flake after
flake descended out of the black night air, silent, circuitous,
interminable. To poor people, looking up under moist eyebrows, it
seemed a wonder where it all came from. Master Francis Villon had
propounded an alternative that afternoon, at a tavern window: was it
only Pagan Jupiter plucking geese upon Olympus? or were the holy angels
moulting? He was only a poor Master of Arts, he went on; and as the
question somewhat touched upon divinity, he durst not venture to
conclude. A silly old priest from Montargis, who was among the company,
treated the young rascal to a bottle of wine in honour of the jest and
the grimaces with which it was accompanied, and swore on his own white
beard that he had been just such another irreverent dog when he was
Villon’s age.
The air was raw and pointed, but not far below freezing; and the flakes
were large, damp, and adhesive. The whole city was sheeted up. An army
might have marched from end to end and not a footfall given the alarm.
If there were any belated birds in heaven, they saw the island like a
large white patch, and the bridges like slim white spars, on the black
ground of the river. High up overhead the snow settled among the
tracery of the cathedral towers. Many a niche was drifted full; many a
statue wore a long white bonnet on its grotesque or sainted head. The
gargoyles had been transformed into great false noses, drooping towards
the point. The crockets were like upright pillows swollen on one side.
In the intervals of the wind, there was a dull sound of dripping about
the precincts of the church.
The cemetery of St. John had taken its own share of the snow. All the
graves were decently covered; tall white housetops stood around in
grave array; worthy burghers were long ago in bed, benightcapped like
their domiciles; there was no light in all the neighbourhood but a
little peep from a lamp that hung swinging in the church choir, and
tossed the shadows to and fro in time to its oscillations. The clock
was hard on ten when the patrol went by with halberds and a lantern,
beating their hands; and they saw nothing suspicious about the cemetery
of St. John.
Public-domain text, read in full here on John Shaqi.
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