“It is none of my business,” said he.
“Very well,” said Léon, “then we shall go to the Commissary.” Thither
they went; the office was closed and dark; but the house was close by,
and Léon was soon swinging the bell like a madman. The Commissary’s
wife appeared at a window. She was a thread-paper creature, and
informed them that the Commissary had not yet come home.
“Is he at the Maire’s?” demanded Léon.
She thought that was not unlikely.
“Where is the Maire’s house?” he asked.
And she gave him some rather vague information on that point.
“Stay you here, Elvira,” said Léon, “lest I should miss him by the way.
If, when I return, I find you here no longer, I shall follow at once to
the Black Head.”
And he set out to find the Maire’s. It took him some ten minutes
wandering among blind lanes, and when he arrived it was already
half-an-hour past midnight. A long white garden wall overhung by some
thick chestnuts, a door with a letter-box, and an iron bell-pull, that
was all that could be seen of the Maire’s domicile. Léon took the
bell-pull in both hands, and danced furiously upon the side-walk. The
bell itself was just upon the other side of the wall, it responded to
his activity, and scattered an alarming clangour far and wide into the
night.
A window was thrown open in a house across the street, and a voice
inquired the cause of this untimely uproar.
“I wish the Maire,” said Léon.
“He has been in bed this hour,” returned the voice.
“He must get up again,” retorted Léon, and he was for tackling the
bell-pull once more.
“You will never make him hear,” responded the voice. “The garden is of
great extent, the house is at the farther end, and both the Maire and
his housekeeper are deaf.”
“Aha!” said Léon, pausing. “The Maire is deaf, is he? That explains.”
And he thought of the evening’s concert with a momentary feeling of
relief. “Ah!” he continued, “and so the Maire is deaf, and the garden
vast, and the house at the far end?”
“And you might ring all night,” added the voice, “and be none the
better for it. You would only keep me awake.”
“Thank you, neighbour,” replied the singer. “You shall sleep.”
And he made off again at his best pace for the Commissary’s. Elvira was
still walking to and fro before the door.
“He has not come?” asked Léon.
“Not he,” she replied.
“Good,” returned Léon. “I am sure our man’s inside. Let me see the
guitar-case. I shall lay this siege in form, Elvira; I am angry; I am
indignant; I am truculently inclined; but I thank my Maker I have still
a sense of fun. The unjust judge shall be importuned in a serenade,
Elvira. Set him up—and set him up.”
He had the case opened by this time, struck a few chords, and fell into
an attitude which was irresistibly Spanish.
“Now,” he continued, “feel your voice. Are you ready? Follow me!”
The guitar twanged, and the two voices upraised, in harmony and with a
startling loudness, the chorus of a song of old Béranger’s:—
Public-domain text, read in full here on John Shaqi.
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