“I don’t quite see my way out of it,” thought the undergraduate; and
then, after a pause, he said, aloud and ungraciously enough, “All
right. I—I’m very much obliged, of course.” And he proceeded to follow
them, thinking in his heart, “But it’s bad form, all the same, to force
an obligation on a fellow.”
CHAPTER V
Léon strode ahead as if he knew exactly where he was going; the sobs of
Madame were still faintly audible, and no one uttered a word. A dog
barked furiously in a courtyard as they went by; then the church clock
struck two, and many domestic clocks followed or preceded it in piping
tones. And just then Berthelini spied a light. It burned in a small
house on the outskirts of the town, and thither the party now directed
their steps.
“It is always a chance,” said Léon.
The house in question stood back from the street behind an open space,
part garden, part turnip-field; and several outhouses stood forward
from either wing at right angles to the front. One of these had
recently undergone some change. An enormous window, looking towards the
north, had been effected in the wall and roof, and Léon began to hope
it was a studio.
“If it’s only a painter,” he said with a chuckle, “ten to one we get as
good a welcome as we want.”
“I thought painters were principally poor,” said Stubbs.
“Ah!” cried Léon, “you do not know the world as I do. The poorer the
better for us!”
And the trio advanced into the turnip-field.
The light was in the ground floor; as one window was brightly
illuminated and two others more faintly, it might be supposed that
there was a single lamp in one corner of a large apartment; and a
certain tremulousness and temporary dwindling showed that a live fire
contributed to the effect. The sound of a voice now became audible; and
the trespassers paused to listen. It was pitched in a high, angry key,
but had still a good, full, and masculine note in it. The utterance was
voluble, too voluble even to be quite distinct; a stream of words,
rising and falling, with ever and again a phrase thrown out by itself,
as if the speaker reckoned on its virtue.
Suddenly another voice joined in. This time it was a woman’s; and if
the man were angry, the woman was incensed to the degree of fury. There
was that absolutely blank composure known to suffering males; that
colourless unnatural speech which shows a spirit accurately balanced
between homicide and hysterics; the tone in which the best of women
sometimes utter words worse than death to those most dear to them. If
Abstract Bones-and-Sepulchre were to be endowed with the gift of
speech, thus, and not otherwise, would it discourse. Léon was a brave
man, and I fear he was somewhat sceptically given (he had been educated
in a Papistical country), but the habit of childhood prevailed, and he
crossed himself devoutly. He had met several women in his career. It
was obvious that his instinct had not deceived him, for the male voice
broke forth instantly in a towering passion.
Public-domain text, read in full here on John Shaqi.
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