The inhabitants were plainly fluttered; the light moved to and fro,
strengthening in one window, paling in another; and then the door was
thrown open, and a man in a blouse appeared on the threshold carrying a
lamp. He was a powerful young fellow, with bewildered hair and beard,
wearing his neck open; his blouse was stained with oil-colours in a
harlequinesque disorder; and there was something rural in the droop and
bagginess of his belted trousers.
From immediately behind him, and indeed over his shoulder, a woman’s
face looked out into the darkness; it was pale and a little weary,
although still young; it wore a dwindling, disappearing prettiness,
soon to be quite gone, and the expression was both gentle and sour, and
reminded one faintly of the taste of certain drugs. For all that, it
was not a face to dislike; when the prettiness had vanished, it seemed
as if a certain pale beauty might step in to take its place; and as
both the mildness and the asperity were characters of youth, it might
be hoped that, with years, both would merge into a constant, brave, and
not unkindly temper.
“What is all this?” cried the man.
CHAPTER VI
Léon had his hat in his hand at once. He came forward with his
customary grace; it was a moment which would have earned him a round of
cheering on the stage. Elvira and Stubbs advanced behind him, like a
couple of Admetus’s sheep following the god Apollo.
“Sir,” said Léon, “the hour is unpardonably late, and our little
serenade has the air of an impertinence. Believe me, sir, it is an
appeal. Monsieur is an artist, I perceive. We are here three artists
benighted and without shelter, one a woman—a delicate woman—in evening
dress—in an interesting situation. This will not fail to touch the
woman’s heart of Madame, whom I perceive indistinctly behind Monsieur
her husband, and whose face speaks eloquently of a well-regulated mind.
Ah! Monsieur, Madame—one generous movement, and you make three people
happy! Two or three hours beside your fire—I ask it of Monsieur in the
name of Art—I ask it of Madame by the sanctity of womanhood.”
The two, as by a tacit consent, drew back from the door.
“Come in,” said the man.
“Entrez, Madame,” said the woman.
The door opened directly upon the kitchen of the house, which was to
all appearance the only sitting-room. The furniture was both plain and
scanty; but there were one or two landscapes on the wall handsomely
framed, as if they had already visited the committee-rooms of an
exhibition and been thence extruded. Léon walked up to the pictures and
represented the part of a connoisseur before each in turn, with his
usual dramatic insight and force. The master of the house, as if
irresistibly attracted, followed him from canvas to canvas with the
lamp. Elvira was led directly to the fire, where she proceeded to warm
herself, while Stubbs stood in the middle of the floor and followed the
proceedings of Léon with mild astonishment in his eyes.
Public-domain text, read in full here on John Shaqi.
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