A week had gone by since the Latin missive had been taken from
the post-office by Emma Jane, and now, by means of much midnight
oil-burning, by much cautious questioning of Miss Maxwell, by such
scrutiny of the moods and tenses of Latin verbs as wellnigh destroyed
her brain tissue, she had mastered its romantic message. If it was
conventional in style, Emma Jane never suspected it. If some of the
similes seemed to have been culled from the Latin poets, and some of the
phrases built up from Latin exercises, Emma Jane was neither scholar
nor critic; the similes, the phrases, the sentiments, when finally
translated and written down in black-and-white English, made, in her
opinion, the most convincing and heart-melting document ever sent
through the mails:
Mea cara Emma:
Cur audeo scribere ad te epistulam? Es mihi dea! Semper es in mea anima.
Iterum et iterum es cum me in somnis. Saepe video tuas capillos auri,
tuos pulchros oculos similes caelo, tuas genas, quasi rubentes rosas
in nive. Tua vox est dulcior quam cantus avium aut murmur rivuli in
montibus.
Cur sum ego tam miser et pauper et indignus, et tu tam dulcis et bona et
nobilis?
Si cogitabis de me ero beatus. Tu es sola puella quam amo, et semper
eris. Alias puellas non amavi. Forte olim amabis me, sed sum indignus.
Sine te sum miser, cum tu es prope mea vita omnis est gaudium.
Vale, carissima, carissima puella!
De tuo fideli servo
A.F.
My dear Emma:
Why dare I write to you a letter? You are to me a goddess! Always you
are in my heart. Again and again you are with me in dreams. Often I see
your locks of gold, your beautiful eyes like the sky, your cheeks, as
red roses in snow. Your voice is sweeter than the singing of birds or
the murmur of the stream in the mountains.
Why am I so wretched and poor and unworthy, and you so sweet and good
and noble?
If you will think of me I shall be happy. You are the only girl that I
love and always will be. Other girls I have not loved. Perhaps sometime
you will love me, but I am unworthy. Without you, I am wretched, when
you are near my life is all joy.
Farewell, dearest, dearest girl!
From your faithful slave
A.F.
Emma Jane knew the letter by heart in English. She even knew it in
Latin, only a few days before a dead language to her, but now one filled
with life and meaning. From beginning to end the epistle had the effect
upon her as of an intoxicating elixir. Often, at morning prayers, or
while eating her rice pudding at the noon dinner, or when sinking off
to sleep at night, she heard a voice murmuring in her ear, “Vale,
carissima, carissima puella!” As to the effect on her modest,
countrified little heart of the phrases in which Abijah stated she was
a goddess and he her faithful slave, that quite baffles description; for
it lifted her bodily out of the scenes in which she moved, into a new,
rosy, ethereal atmosphere in which even Rebecca had no place.
Public-domain text, read in full here on John Shaqi.
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