Agriculture, Cooperative -- Fiction; Country life -- Fiction; Farmers -- Fiction; New England -- Fiction; Villages -- Fiction
It’s natural to be over optimistic in the first flush of success in a
new venture, but in this case there was no reaction. Outside of the
financial success the experiment had been for every member of the club,
which meant practically every member of the village, our most notable
achievement had been in rousing the community spirit. We had all got
together in a fashion that distinguished us from our neighboring towns.
People from outside began to speak of us residents of Brewster as
Brewsterites, which to my mind was significant. If our prize system
hadn’t accomplished any more than this it had been worth while. This
was just the spirit we wanted as a basis for working out more in detail
our pioneer idea. Ruth and I hadn’t forgotten our lesson from the
pioneers of Little Italy, that half the secret of earning more money
is to save more money, and that to do this means a simpler standard
of living. This was one of the things that I had talked over with Holt
and Barclay and the committee with the result of a hearty endorsement
from Holt, a mild endorsement from Barclay, and an agreement from the
committee not to oppose. They all admitted anyway that something must
be done to keep interest alive during the long winter months.
Now I had no definite plan in mind beyond a vague notion to rouse if
possible an interest in the romantic lives of our ancestors--to bring
home to those of to-day the possibility of making our own lives just
as romantic and independent and venturesome. Whatever we accomplished
grew out of talks between Holt, Ruth and myself, but to a still larger
degree out of incidents that grew out of the undertaking itself. Our
whole enterprise developed from within itself. We planned nothing
except along general lines and forced nothing.
For example, here is one thing that turned up unexpectedly. Holt came
to me one day and said he had run across a moving picture man who was
in town with a view to installing a moving picture show. The latter had
been to Moulton, who owned the opera house beneath which his store was
located, and had tried to make a bargain with him to rent the hall.
“Why in thunder don’t we do it ourselves?” was Holt’s question to me.
“As a personal business venture?” I asked.
“As a business venture for the club,” he answered. “There’s no doubt
but what a moving picture show is going to be started here sooner or
later. You can’t prevent it. If an outsider conducts the business he
carries off the good money of our members, he forces us to buck against
a rival interest and he runs any old films he chooses. If we run it
ourselves we can make it part of our winter’s amusement, select our
films, and turn back into the club treasury everything over running
expenses.”
“And if we lose?”
“We can’t lose. Wouldn’t do any harm to try it anyway, and if we do
lose it’s a safe bet it would scare off any outsider from ever trying
it.”
Public-domain text, read in full here on John Shaqi.
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