Agriculture, Cooperative -- Fiction; Country life -- Fiction; Farmers -- Fiction; New England -- Fiction; Villages -- Fiction
At the beginning Holt and I were the speakers, although later as our
treasury grew fat with the proceeds of our picture show we used some
of the money to bring in lyceum lecturers and at least once a month
some specialist from the Agricultural School. Our subjects were limited
either to American pioneer history of the East or to practical talks
on farming. One thing we insisted upon was that they must be put into
popular and entertaining form. For instance, I in my first talk had as
my subject “Early Tillers of New England Soil.” I spent a good deal
of time at the city public library in looking up my material, picking
out interesting facts about the nature of the soil at that time, the
implements in use, the difficulties that had to be overcome and the
results obtained. I put a good deal of emphasis on the difficulties as
compared with those of to-day and yet pointed out how cheerfully the
early settlers went at their task because they worked at it in freedom.
In connection with this we ran a film that was supposed to describe
the departure of the Pilgrims from England and their landing in this
country. It was wonderfully vivid and made it seem almost like an event
of yesterday.
Holt treated in much the same fashion “The Fighting Spirit of Our
Ancestors.” I tell you he made a warrior of every man in the audience
before he was through and a warrior’s mother of every woman. We ran
with this a realistic Indian fight film.
At another talk Ruth spoke on the “Women of Early New England,”
describing their lives and their work and what the women of to-day
owed to them. “The Courtship of Miles Standish,” was the film we used
with this and it was so popular that it led later on to the acting of
a series of tableaux founded on Longfellow’s poem. This was the big
social event of the winter, coming at Christmas time and ending with a
dance.
Public-domain text, read in full here on John Shaqi.
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