New Treasure Seekers; Or, The Bastable Children in Search of a FortuneNesbit, E. (Edith)
General
New Treasure Seekers; Or, The Bastable Children in Search of a Fortune
Nesbit, E. (Edith)
Family -- England -- Juvenile fiction; Siblings -- Juvenile fiction
But at the other places we did not say what it was for, and they sold it
us. There were bluey and yellowy and grey and white kinds, and some was
violetish with violets on it, and some pink, with roses. The girls took
the florivorous ones, which Oswald thinks are unmanly for any but girls,
but you excuse their using it. It seems natural to them to mess about
like that.
We wrote the fifteen letters, disguising our handwritings as much as we
could. It was not easy. Oswald tried to write one of them with his left
hand, but the consequences were almost totally unreadable. Besides, if
any one could have read it, they would only have thought it was written
in an asylum for the insane, the writing was so delirious. So he chucked
it.
Noel was only allowed to write one poem. It began--
"Oh, Geraldine! Oh, Geraldine!
You are the loveliest heroine!
I never read about one before
That made me want to write more
Poetry. And your Venetian eyes,
They must have been an awful size;
And black and blue, and like your hair,
And your nose and chin were a perfect pair."
and so on for ages.
The other letters were all saying what a beautiful chapter "Beneath the
Doge's Home" was, and how we liked it better than the other chapters
before, and how we hoped the next would be like it. We found out when
all too late that H.O. had called it the "Dog's Home." But we hoped this
would pass unnoticed among all the others. We read the reviews of books
in the old _Spectators_ and _Athenaeums_, and put in the words they say
there about other people's books. We said we thought that chapter about
Geraldine and the garters was "subtle" and "masterly" and
"inevitable"--that it had an "old-world charm," and was "redolent of the
soil." We said, too, that we had "read it with breathless interest from
cover to cover," and that it had "poignant pathos and a convincing
realism," and the "fine flower of delicate sentiment," besides much
other rot that the author can't remember.
When all the letters were done we addressed them and stamped them and
licked them down, and then we got different people to post them. Our
under-gardener, who lives in Greenwich, and the other under-gardener,
who lives in Lewisham, and the servants on their evenings out, which
they spend in distant spots like Plaistow and Grove Park--each had a
letter to post. The piano-tuner was a great catch--he lived in Highgate;
and the electric-bell man was Lambeth. So we got rid of all the letters,
and watched the post for a reply. We watched for a week, but no answer
came.
Public-domain text, read in full here on John Shaqi.
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