But now, suppose you are an artist--and I use the word to cover all sorts of art, literary, dramatic and musical, as well as painting, sculpture, design and architecture--you want before all things freedom for personal expression, and you probably have an idea that this is the last thing you will get in the Socialist State. But, indeed, you will get far more than you do now. You will begin as a student, no doubt, in your local Municipal Art Schools, and there you will win prizes and scholarships and get some glorious years of youth and work in Italy or Paris, or Germany or London, or Boston or New York, or wherever the great teachers and workers of your art gather thickest; and then you will compete, perhaps, for some public work, and have something printed or published or reproduced and sold for you by your school or city; or get a loan from your home municipality for material--if your material costs money--and set to work making that into some saleable beautiful thing. If you are at all distinguished in quality, you will have a competition among public authorities from the beginning, to act as sponsors and dealers for your work; benevolent dealers they will be, and content with a commission. And if you make things that make many people interested and happy, you may by that fortunate gift of yours, grow to be as rich and magnificent a person as any one in the Socialist State. But if you do not please people at all, either the connoisseurs of the municipal art collection or private associations of art patrons or the popular buyer, well, then your lot will be no harder than the lot of any unsuccessful artist now; you will have to do something else for a time and win leisure to try again.