Friday, Sept. 4.--The bombardment, which took place suddenly from half-past 9 till quarter-past 10 in the morning, caused some accidents to the cathedral, more or less notable from the point of view of art, (some stained glass more or less ancient, some slight scratches to the statues;) at the Church of Saint-Remi (ancient stained glass, tapestry of the sixteenth century, pictures of the seventeenth and eighteenth centuries, altar screen, statues, south portal, and vault of transept) and at the Museum of Fine Arts, Rue Chanzy, 8, (salle Henry Vasnier broken in by a shell, about twenty modern pictures damaged.) Besides, among the houses struck, the Gothic house, 57 Rue de Vesle, suffered mutilation in the sculpture of a fireplace--it was entirely demolished by the bombardment and fire of Sept. 19. Saturday, Sept. 19.--This was the day of the great destruction by the bombs and the fires caused in the cathedral, the ancient residence of the Archbishop, in the houses of the Place Royale, and the Ceres quarter. On the afternoon of this day and during the night from Saturday to Sunday, flames consumed the most precious collections of the city, at the Archbishop's palace and in private houses, an inventory of which it will never be possible to prepare. The top of the cathedral burned after the scaffolding of the northern tower of the great portal had taken fire, toward 3 o'clock in the afternoon. The statues and sculptures of this side of the same portal were licked by the flames and scorched through and through. The eight bells in this tower also were caught by the flames, and the whole thing fell down near the cross aisle of the transept. The spire of the Belfry of the Angel, at the apse, fell, and with it disappeared the leaden heads which decorated its base. In the interior the sculptures and the walls of the edifice were damaged by fire in the straw which had been strewn about for the German wounded; the great eighteenth century tympanums of the lateral doors, west side, were damaged likewise. The thirteenth century stained glass suffered shocks from the air and were perforated, in the rose windows as also in the high windows of the nave. The pictures in the transept were spared, but the choir stalls (eighteenth century work) were consumed--at the left on entering.