Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canalSquier, E. G. (Ephraim George)
History
Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canal
Squier, E. G. (Ephraim George)
Nicaragua; Nicaragua -- Description and travel; Nicaragua Canal (Nicaragua)
We rode through the arched and hedge-lined streets into a broad open
plaza, in the centre of which stood a quaint old church. A few sleek
cows were lying in its shade, chewing their cuds in a meditative way,
and hardly opening their sleepy eyes as we trotted by. Beneath some
large trees upon one side of the plaza, we descried our carts and their
escort, taking what at home would be called “a nooning.” The lances of
the men were stacked together, and their horses fastened with _lariats_
to the carts, forming, with their gay trappings, a striking group,
abundantly set off by the reclining figures of their riders, who had
disposed themselves in attitudes expressive of the fullest abandonment
to individual ease. We were not long in joining the party. The officer
in command, in anticipation of our arrival, had prepared two or three
jars of “algo fresco,” something fresh, delightfully compounded of
water, the juice of the cocoa-nut, and of the acidulous marañon,—a
delicious and refreshing beverage, to which we paid our respects in
protracted draughts, not forgetting “_mil gracias_,” and sundry _medios_
to a plump, laughing Indian girl who dispensed it, in snowy calabashes,
to the thirsty strangers.
The only part of the road which was supposed to be frequented by the
_ladrones_ was now passed, and although the commander of the escort was
very willing to proceed with the carts, I did not think it necessary,
and so it was agreed that he should return. This arranged, we all
mounted again, and the last we saw of our military friend was the
gleaming lances of his men, and the fluttering of their little red
streamers, as they galloped back through the streets of Nindiri.
Public-domain text, read in full here on John Shaqi.
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