Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canalSquier, E. G. (Ephraim George)
History
Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canal
Squier, E. G. (Ephraim George)
Nicaragua; Nicaragua -- Description and travel; Nicaragua Canal (Nicaragua)
We were witnesses of a tertulia at our own house, the second evening
after our arrival. A dozen señoras casually found themselves together, a
dance was proposed by the gallants loitering at the balconies, and the
proposition meeting with favor, they at once dispersed to bring in
recruits and the “musicos.” In an hour the grand sala was filled. The
females as they came in were all ranged on one side of the room, and the
males on the other. This looked rather stiff, and I began to fear that a
_tertulia_ was no great matter after all. Directly, however, a single
couple took the floor; the music struck up, and as they moved down the
room, the measure brought the lady first on one side, and then on the
other. As she passed she alternately tapped a señor and señora on the
shoulder with her fan, thus arbitrarily determining the partners, who
were obliged at once to join in the dance. In this manner the whole
party was brought to its feet, _nolens volens_,—and such I found was a
frequent mode of opening the tertulia. After the first set is over, the
ice once broken, and the excitement up, the gallants are permitted to
exercise a choice. I thought the practice a good one, obviating a great
deal of awkward diplomacy at the outset, and putting every one very
speedily at their ease. As the evening progressed the party augmented,
and before ten o’clock we had got together the _élite_ of Leon. All
joined heartily in the spirit of the affair, and when the bell of the
cathedral tolled eleven, I think I never saw a more animated assemblage.
The polka and the waltz, as also the bolero, and other well known
Spanish dances, were all danced gracefully and with spirit; and besides
these, after much persuasion, we had an Indian dance, a singular affair,
slow and complicated, and which left upon my mind a distinct impression
that it was religious in its origin. After the dancing, we had music,
but beyond the national air, which was given with force and spirit, I
cannot say much for the singing.
During the whole evening, the windows were festooned with urchins, and
the doors blockaded by spectators, who when they were particularly
pleased, applauded tumultuously, as if the whole affair had been got up
for their special entertainment. The police would have driven them off,
but I won an enduring popularity by interceding in their behalf, and
they were consequently permitted to remain. Upon the occasions of the
more formal balls subsequently given, soldiers were stationed at every
entrance, and the crowd kept at a distance.
Amongst the lower classes, fandangoes and other characteristic dances
are frequent, and are sufficiently uproarious and promiscuous. For
obvious reasons, I never witnessed any of these in the city, although I
stumbled upon them occasionally in the villages, during my excursions in
the country.
Public-domain text, read in full here on John Shaqi.
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