Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canalSquier, E. G. (Ephraim George)
History
Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canal
Squier, E. G. (Ephraim George)
Nicaragua; Nicaragua -- Description and travel; Nicaragua Canal (Nicaragua)
In front of the stage was a kind of orchestra, made up of an infinitude
of fiddles and cracked clarionets, which discoursed most melancholy
music, for half an hour after we came upon the ground. At the end of
that time, it was announced that Señor Z., a young man who wrote poetry
and wore his hair long, after the manner of bardlings the world over,
would recite an appropriate poem. The Señor came forward, bowed low, and
after telling us what he proposed to say in plain prose, commenced his
poem. It related to Christ, dealt largely in superlatives, and
complimented our Saviour much after the manner a love-sick youth might
be supposed to address his mistress. The only redeeming point was the
manner, and the clear, distinct enunciation with which it was given. It
was listened to with attention, and vehemently applauded at its close.
While the speaker was in the midst of his heroics, and the entire
assemblage silent, I heard a heavy regular tramp, and turning, saw a
detachment of troops, marching slowly through the crowd, their arms
glancing in the moonlight. They defiled into the shade, close to the
wall of the church, and at the word of command, their muskets came down
with a startling clang upon the pavement. There they stood, like bronze
statues during the whole evening. This incident will illustrate the
condition of the country better than an essay.
After the poem, the music struck up again, and we were treated to a
lugubrious song by two men and three women, but I could not make out
what it was about. Vocal music is certainly at a low ebb in Nicaragua;
_nasal_ music, however, is flourishing. Fortunately the people make no
pretensions to musical accomplishments, and thus criticism is disarmed.
A kind of drama, in two acts, borrowed from the Bible, followed the
vocal entertainments, in which a shallow, rattling character or clown
was introduced, with other comic accessories. This was by far the best
part; the clown was a rare fellow, and acquitted himself well; but the
serious part was very serious. The characters talked in a kind of
monotonous recitative, like automatons, and without a particle of
action. An hour’s endurance of this was enough for a Christian, and
throwing some silver in the box of a man who went round for the purpose
of making a collection for the benefit of the church, I left, in company
with the señoritas, who inquired if similar “funcions” were common in
the United States? I told them yes, but that our padres consigned all
those who frequented them to the demonio, whereupon the señoritas opened
their big, black eyes, and ejaculated “Mira!” do tell!
Public-domain text, read in full here on John Shaqi.
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