Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canalSquier, E. G. (Ephraim George)
History
Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canal
Squier, E. G. (Ephraim George)
Nicaragua; Nicaragua -- Description and travel; Nicaragua Canal (Nicaragua)
“On the day set apart for the festival of All Saints, the shops are
closed and business suspended. About ten o’clock the procession
commences from the Cathedral. A troop of military, marching to a slow
tune, lead the way, and are followed by six of the finest Indian girls
that can be procured, bearing large wax candles, and dressed in the
ancient costumes of their tribes, accompanied by the great drum,
carried on the back of an Indian, and beaten by two others. These are
succeeded by men bearing on their shoulders wooden platforms, on which
are placed images of saints. Other representations of beatified
cardinals and bishops follow, escorted by angels with spreading wings.
Then succeeds an immense statue of St. Peter, bearing the keys, and
supported by angels on each side. Other images pass forward in
succession, and immediately precede the Host, which is carried under a
splendid canopy, and accompanied by the archbishop and the dignified
clergy. The various orders of friars, the priests, and the collegiate
students, in their robes, follow; and fresh images of saints and
angels, with a new troop of military, bring up the rear.... The
setting out and return to the Cathedral are notified by frequent
discharges of sky-rockets.”—_Dunn’s Guatemala_, p. 114.
-----
Posts were planted around the plaza, to which a double line of bombas
was attached. These were to be let off (for a wonder) after dark, and my
friend Simon Roque was urgent that I should stay to witness the
explosion, and even offered to anticipate the hour fixed for lighting
them; but I had had enough of bombas for a lifetime, and rode home in
the twilight. The streets were full of life, and the band stationed upon
the steps of the grand Cathedral played the national anthem, while the
soldiers grouped around the various “cuartels” joined in the chorus. For
once, thanks to the darkness, I escaped the eternal presentation of arms
and beat of drum, with which I was always received in the plaza, and
which induced me to avoid entering it, except in cases of necessity. I
sat on my horse for a quarter of an hour, listening to the music and the
merriment, and speculated whether, after all, spite of unstable
governments, and destitute of all those accessories which, according to
our utilitarian ideas, are necessary to the popular welfare,—whether the
people of Leon were not on the whole happier and more contented than
those of any city of equal size in our own country? Here were no crowded
workshops, where youth and age toil on, on, during the long day and by
the pale gas light, amidst foul vapors, or in a corrupted atmosphere,
that trade may thrive, and arrogant commerce strut in the Exchange! No
thundering machines to disturb the calm of evening, to drown the murmurs
of the night winds and the gentle melody of the falling dews, with their
hoarse, unearthly clangor!
[Illustration: NICARAGUAN PLOUGH.]
Public-domain text, read in full here on John Shaqi.
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