Nick Carter Stories No. 151, July 31, 1915: The Mystery of the Crossed Needles; or Nick Carter and the Yellow TongCarter, Nicholas (House name)
General
Nick Carter Stories No. 151, July 31, 1915: The Mystery of the Crossed Needles; or Nick Carter and the Yellow Tong
Carter, Nicholas (House name)
Detective and mystery stories, American -- Periodicals; Popular literature -- Periodicals
McReigh mysteriously disappeared from his home over six months ago. He
returned the night of his disappearance from a musical gathering with
his wife and a party of friends, shortly after midnight. The following
morning he failed to come down to breakfast.
For several weeks the family had no word of his whereabouts. After a
while Mrs. McReigh heard that a man answering to her husband’s
description had come under the observation of the police of several New
England cities.
Detectives were appealed to, and, in the course of a month, traced the
missing man to Norwalk, Conn., and discovered that while he appeared to
be in perfect health, his mind was blank as to his whole previous
existence. Nothing could be done to arouse him to his past personality.
The wife and family physician were summoned, but McReigh could not be
made to recollect himself. Specialists were consulted at the time, and
it was their judgment that he would never recover his mental balance.
They suggested only one chance. If an idea, something that had been an
absorbing part of his life, could be brought suddenly to his mind, the
reaction might accomplish that for which they hoped.
McReigh went to Worcester, Mass., some weeks ago and registered at the
largest hotel. Each night he would sit in the mezzanine balcony,
intently watching the piano player, who was a fair young woman with
beautiful blond hair. He sat there continuously and silently, always
with a set look of wonderment as the music was unfolded under the deft
touch of the little player.
The night McReigh recovered his reason was witnessed by several others
who were sitting by him, listening to the music. The little pianist was
playing, as usual, mostly soft, low music, that was soothing and
restful, until she came to the last selection, “The Song of the Winds.”
As she came to the final measure, with the crash of falling trees and
overturned homes, McReigh arose from his chair and staggered toward the
piano, and in an instant the little player and McReigh were locked in
arms’ tight embrace.
There were just two words spoken--“Tom” and “Frances.” Then the woman
collapsed and McReigh had to be carried away, his face an ashy color.
Both were cared for by the house doctor.
It afterward developed that the little pianist was Mrs. McReigh. Acting
on the advice of specialists, she had followed her memoryless husband
from city to city. Being people of wealth, she was able to go at any
length to accomplish her purpose.
McReigh was supplied with funds through the management of the different
hotels at which he registered, without his knowledge, and the wife
consented to pose as a musician in need of employment in order that she
could be able to play in the presence of her husband. “The Song of the
Winds” was McReigh’s best-known and favorite composition. McReigh was
under the watchful eye of his wife from the time of his discovery in
Norwalk.
Public-domain text, read in full here on John Shaqi.
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