Nick of the Woods; Or, Adventures of Prairie LifeBird, Robert Montgomery
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Nick of the Woods; Or, Adventures of Prairie Life
Bird, Robert Montgomery
Frontier and pioneer life -- Kentucky -- Fiction
The tent was of an oval figure, and of no great extent; but being
lighted only by a fire burning dimly in the centre of its earthen floor,
and its frail walls darkened by smoke, the eye could scarcely penetrate
to its dusky extremity. It consisted, as has been said, of skins, which
were supported upon poles, wattled together like the framework of a
crate or basket; the poles of the opposite sides being kept asunder by
cross-pieces, which, at the common centre of intersection or radiation,
were themselves upheld by a stout wooden pillar. Upon this pillar, and on
the slender rafters, were laid or suspended sundry Indian utensils of the
kitchen and the field, wooden bowls, earthen pans and Irazen pots, guns,
hatchets, and fish-spears, with ears of corn, dried roots, smoked meats,
blankets and skins, and many articles that had perhaps been plundered
from the Long-knives, such as halters and bridles, hats, coats shawls,
and aprons, and other such gear; among which was conspicuous a bundle of
scalps, some of them with long female tresses, the proofs of the prowess
of a great warrior, who, like the other fighting-men of his race,
accounted the golden ringlets of a girl as noble a trophy of valour as
the grizzled locks of a veteran soldier.
On the floor of the tent, piled against its sides and farthest extremity,
was the raised platform of skins, with rude partitions and curtains of
mats, which formed the sleeping-couch, or, perhaps we might say, the
sleeping-apartments, of the lodge. But these were in a great measure
hidden under heaps of blankets, skins, and other trumpery articles, that
seemed to have been snatched in some sudden hurry from the floor, which
they had previously cumbered. In fact, there was every appearance that
the tent had been for a long time used as a kind of store-room, the
receptacle of a bandit's omnium-gatherum, and had been hastily prepared
for unexpected inmates. But these particulars, which he might have noted
at a glance, Nathan did not pause to survey. There were objects of
greater attractions for his eyes in a group of three female figures: in
one of whom, standing near the fire, and grasping the hands and garments
of a second, as if imploring pity or protection, her hair dishevelled,
her visage bloodless, her eyes wild with grief and terror, he beheld the
object of his perilous enterprise, the lovely and unhappy Edith
Forrester. Struggling in her grasp, as if to escape, yet weeping, and
uttering hurried expressions that were meant to soothe the agitation of
the captive, was the renegade's daughter, Telie, who seemed herself
little less terrified than the prisoner. The third person of the group
was an Indian beldam, old, withered, and witch-like, who sat crouching
over the fire, warming her skinny hands, and only intermitting her
employment occasionally to eye the more youthful pair with looks of
malignant hatred and suspicion.
Public-domain text, read in full here on John Shaqi.
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