In the Imperial Library, Berlin, there is a manuscript by Paganini, inscribed "Capriccio a Violino Solo di Nicolo Paganini In cor più non mi sento," in which the embellished theme differs from both those already described. The first page is reproduced in facsimile in Paul Stoeving's "Story of the Violin," p. 213. Then there is an autograph copy in the British Museum with this inscription: "In cuor più non mi sento, Thema con variazioni per Violino, con Accompagnementi di Violino e Violoncello Composta da Niccolo Paganini." The piece consists of an Introduction, Theme and four Variations, and, so far, agrees with Mrs. Taylor's copy. Finally, Paganini played the piece with the orchestra, as will be seen from this extract from a programme: "Prelude and Variations on the Tema, 'Nel cor più non missento,' with orchestral accompaniment, by Signor Paganini." This was played at the concert of June 27th, 1831, at the King's Theatre, and the programme from which this extract is taken is in possession of Mr. Richard Harrison, of Brighton, who most obligingly copied it for me. Duo pour le violon seul. This begins with an Adagio, C major, three-four measure, with a melody for the bow, and left hand pizzicato accompaniment. A short Allegro molto follows, in square time, the pizzicato accompaniment being chiefly in double notes, with occasional chromatic harmonics. This little piece must have been on sale in London a year before Paganini arrived, for the following anecdote was in print in May, 1830. "A few days since, a footman went into Mori's music shop to buy a fiddle string. While he was making his choice a gentleman entered the shop, and began to examine various compositions for the violin. Among the rest he found Paganini's celebrated _Merveille--duo pour un seul Violon_ and, perceiving the difficulties in which it abounded, asked the shopman if he thought that Mori himself could play it. The young man, a little perplexed and unwilling to imply that his master's powers had any limits, at length replied, that he had no doubt he could perform it, provided he practised it for a week. Upon which the footman, who stood intent upon the conversation, broke in on the discourse and swore that Mori could do no such thing, for that he himself had been practising the piece for three weeks and could not play it yet." Trois Airs Variés pour le Violon, pour étre éxécutes sur la Quatrieme Corda seulement, avec accompagnement de Piano par Gustavo Carulli. Fétis says these are merely souvenirs arranged by the author of the accompaniments.[55] Antonio Minasi includes them in the lists of works performed by Paganini in England. The fourth string is to be raised to A, for all three. The first is in C, with two easy variations; the second, in G, resembles a folk song, and has three variations; the third, in C, also has three variations. The first two are marked Andante; the third, Andantino. The accompaniments are of the easiest song kind.