I have only a few notes concerning some of the works yet to be considered. Dramatic Sonata, "The Storm," for violin and orchestra. This was evidently a piece of programme music, for it was thus described:--Part I., the approach of the storm; II., the commencement of the tempest; III., the prayer; IV., the fury of the sea; V., the hurricane; VI., the tumult at its height; VII., the stilling of the tempest; VIII., an outburst of the most lively joy. It was played at Paganini's third and last concert at Prague, December 20th, 1828, and one account refers to it as a "dramatic sonata for a full orchestra, with analogous embellishments and solos and variations, by Paganini on the fourth string."[57] "Sonata Militaire," in G, for the fourth string, theme, the air "Non più andrai," from Mozart's opera "Le Nozze di Figaro." This piece was composed expressly for the second of the two concerts Paganini gave in Genoa in 1824, when the young singer, Antonia Bianchi, made her début. The Sonata was played by Paganini at his first concert in London. All traces of it appear to have been lost. "Napoleon Sonata," for the fourth string. Paganini gave an account of the origin of this piece to his friend, Julius Schottky, and to what has already been related in connection therewith may now be added the further statement he made. Paganini sang to his friend the first movement of this Sonata "in an animated though feeble tone," and said that Rossini transferred the theme into one of his earlier operas. It would be interesting to know the opera in question, but the early works of Rossini would be searched in vain without the clue afforded by the Sonata, which appears to have vanished completely. "Sonata Maestosa Sentimentale," with variations on a theme by Haydn, for the fourth string. It is probable that the theme for these variations was the well-known Emperor's Hymn, and that this Sonata was performed by Paganini before the Austrian Court in 1828. Sonata with variations on a theme from the opera "L'Amor Marinaro." Nothing is now known of this Sonata, nor of the particular theme chosen from the opera. "L'Amor Marinaro" (the Corsair in Love) was one of the early productions of Joseph Weigl, being written in 1798. An opera buffa, it was distinguished by natural charm, freshness of colouring and beauty of melody, and to the latter quality Paganini's choice of it must doubtless be attributed.