Niebuhr's lectures on Roman history, Vol. 3 (of 3)Niebuhr, Barthold Georg
History
Niebuhr's lectures on Roman history, Vol. 3 (of 3)
Niebuhr, Barthold Georg
Rome -- History
now would no longer have had any meaning: we know for certain, that the
finance department, and all that belonged to it, had its offices there:
the whole was like a city of palaces. In the middle stood the column,
round which was twined a representation of the two Dacian wars of Trajan
in bas relief. Although these bas reliefs have suffered from fire and
lightning, they are still quite excellent, as this branch of the art was
then at its height: they are in exquisite taste. These figures are also
of value in an historical and antiquarian point of view, as they give us
representations of weapons, armour, dresses, and buildings of which
otherwise we should not have known anything. Within, there are steps
which lead to the top; and beneath, there is a vault in which the ashes
of Trajan were laid: of the latter nothing more is to be found. On the
top was the bronze statue of Trajan: this was taken down in the times of
barbarism, and Sixtus V. replaced it by a statue of St. Peter. In the
Forum round it, two gigantic buildings in the form of _basilicæ_ have
been brought to light by the clearings made by the French. The
magnificence of these, beggars all description: among other things,
there are floors in them of the most beautiful Numidian marble. At the
entrances of the Forum, there arose triumphal arches; which we only know
from coins: it may be that Constantine despoiled one of these, and had a
piece of it patched into his own triumphal arch.
Under Hadrian also, costly buildings were erected; as for instance, the
temple of Venus and Roma: but unluckily he had no taste, and following
his own whims, he exercised a baneful influence. Of the time of
Antoninus Pius, we have ruins which are much less beautiful; and under
M. Antoninus, there remains of sculpture only the art of casting in
bronze: his bronze statue is excellent; but the sculptures on the arch
of Antoninus are far inferior to those of Trajan’s reign. In the
triumphal arch of Severus, a most dreadful falling off is to be seen:
even the proportions are neglected, as people were no longer able to
draw. The spread of Christianity is unjustly reproached with having
driven out the fine arts: they had already died away before that.
Public-domain text, read in full here on John Shaqi.
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