Nigeria : $b Its peoples and its problemsMorel, E. D. (Edmund Dene)
History
Nigeria : $b Its peoples and its problems
Morel, E. D. (Edmund Dene)
Ethnology -- Nigeria; Nigeria -- Description and travel
As already remarked, the whole of the crop now grown is used by the
local industry (except the Association’s purchases this year, which I
will refer to in a moment). So far this industry not only shows no signs
of decreasing, but the demand, especially from the southern markets
is, I was told, steadily increasing. The advent of the railway may,
apart from the activities of the Association, modify the situation
appreciably through the increasing influx of Manchester goods. As
well-being increases—and up to a certain point it is doing and will do
so as the result of our occupation—the consumption of Manchester goods
wall doubtless increase, but it does not altogether follow that the
output of the native looms will decrease. It is curious that the Kano
weavers themselves think that the railway will enlarge their market. I
was informed that the natives of the south, who have been in touch with
Manchester cotton goods for many years, very much prefer the Kano cloths,
which although dearer, are much more durable. In the north I heard
frequent complaints of the quality of the Manchester goods imported. Many
of them, so I was told, were much too thin, and so heavily starched that
on the first washing they became threadbare and useless. I saw nothing on
sale in the markets from Manchester suited for the early and late hours
of the day. Cheap prints are all very well for the hot hours of the late
morning and afternoon. But the people require warmer garments than that.
I used to strike camp when trekking at about 5 a.m. or 5.30 a.m., and
at that time, and for a couple of hours afterwards, I was glad of two
sweaters over a khaki shirt, riding. When the sun goes down it is equally
chilly. The robes worn by the better-class natives are of a consistency
and weight which would astonish us here.
Public-domain text, read in full here on John Shaqi.
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