Night and Morning, CompleteLytton, Edward Bulwer Lytton, Baron
General
Night and Morning, Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction
Morton looked hard at Gawtrey, as the latter now sank down in his
chair, and gazed with a vacant stare, that seemed almost to partake
of imbecility, upon the opposite wall. The careless, reckless, jovial
expression, which usually characterised the features of the man, had for
some weeks given place to a restless, anxious, and at times ferocious
aspect, like the beast that first finds a sport while the hounds are yet
afar, and his limbs are yet strong, in the chase which marks him for
his victim, but grows desperate with rage and fear as the day nears its
close, and the death-dogs pant hard upon his track. But at that moment
the strong features, with their gnarled muscle and iron sinews, seemed
to have lost every sign both of passion and the will, and to be locked
in a stolid and dull repose. At last he looked up at Morton, and said,
with a smile like that of an old man in his dotage--
“I’m thinking that my life has been one mistake! I had talents--you
would not fancy it--but once I was neither a fool nor a villain! Odd,
isn’t it? Just reach me the brandy.”
But Morton, with a slight shudder, turned and left the room.
He walked on mechanically, and gained, at last, the superb Quai that
borders the Seine; there, the passengers became more frequent; gay
equipages rolled along; the white and lofty mansions looked fair and
stately in the clear blue sky of early summer; beside him flowed the
sparkling river, animated with the painted baths that floated on its
surface: earth was merry and heaven serene his heart was dark through
all: Night within--Morning beautiful without! At last he paused by
that bridge, stately with the statues of those whom the caprice of time
honours with a name; for though Zeus and his gods be overthrown, while
earth exists will live the worship of Dead Men;--the bridge by which you
pass from the royal Tuileries, or the luxurious streets beyond the Rue
de Rivoli, to the Senate of the emancipated People, and the gloomy and
desolate grandeur of the Faubourg St. Germain, in whose venerable haunts
the impoverished descendants of the old feudal tyrants, whom the birth
of the Senate overthrew, yet congregate;--the ghosts of departed powers
proud of the shadows of great names. As the English outcast paused
midway on the bridge, and for the first time lifting his head from
his bosom, gazed around, there broke at once on his remembrance that
terrible and fatal evening, when, hopeless, friendless, desperate, he
had begged for charity of his uncle’s hireling, with all the feelings
that then (so imperfectly and lightly touched on in his brief narrative
to Gawtrey) had raged and blackened in his breast, urging to the
resolution he had adopted, casting him on the ominous friendship of the
man whose guidance he even then had suspected and distrusted. The spot
in either city had a certain similitude and correspondence each with
each: at the first he had consummated his despair of human destinies--he
Public-domain text, read in full here on John Shaqi.
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